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	<title>Art History Unstuffed &#187; Jeanne Willette</title>
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	<link>http://www.arthistoryunstuffed.com</link>
	<description>Art/History/Criticism/Theory</description>
	<lastBuildDate>Fri, 03 Sep 2010 16:00:21 +0000</lastBuildDate>
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		<copyright>2006-2007 </copyright>
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		<itunes:summary>Art/History/Criticism/Theory</itunes:summary>
		<itunes:author>Art History Unstuffed</itunes:author>
		<itunes:category text="Society &amp; Culture"/>
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			<itunes:name>Art History Unstuffed</itunes:name>
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			<title>Art History Unstuffed</title>
			<link>http://www.arthistoryunstuffed.com</link>
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		<item>
		<title>Gustave Courbet</title>
		<link>http://www.arthistoryunstuffed.com/gustave-courbet/</link>
		<comments>http://www.arthistoryunstuffed.com/gustave-courbet/#comments</comments>
		<pubDate>Fri, 03 Sep 2010 16:00:21 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA["Realist Manifesto"]]></category>
		<category><![CDATA[Albert Bruyas]]></category>
		<category><![CDATA[Champfleury]]></category>
		<category><![CDATA[Communards]]></category>
		<category><![CDATA[demimonde]]></category>
		<category><![CDATA[Dinner at Ornans]]></category>
		<category><![CDATA[Dutch Art]]></category>
		<category><![CDATA[Eugene Fromentin]]></category>
		<category><![CDATA[Funeral at Ornans]]></category>
		<category><![CDATA[Gustave Courbet]]></category>
		<category><![CDATA[Honore Daumier]]></category>
		<category><![CDATA[Jean-François Millet]]></category>
		<category><![CDATA[Jules Bastien-LePage]]></category>
		<category><![CDATA[Jules Breton]]></category>
		<category><![CDATA[la boheme]]></category>
		<category><![CDATA[Louis-Phillipe]]></category>
		<category><![CDATA[Naturalism]]></category>
		<category><![CDATA[Ornans]]></category>
		<category><![CDATA[Pavilion of Realism]]></category>
		<category><![CDATA[Realism]]></category>
		<category><![CDATA[Revolution of 1848]]></category>
		<category><![CDATA[Rosa Bonheur]]></category>
		<category><![CDATA[Second Empire]]></category>
		<category><![CDATA[T. J. Clark]]></category>
		<category><![CDATA[The Artist's Studio]]></category>
		<category><![CDATA[The Commune]]></category>
		<category><![CDATA[The Sleepers]]></category>
		<category><![CDATA[The Stonebreakers]]></category>
		<category><![CDATA[Theophile Thore]]></category>
		<category><![CDATA[Third Republic Franco-Prussian War]]></category>
		<category><![CDATA[Thomas Couture]]></category>
		<category><![CDATA[Vendôme Column]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=599</guid>
		<description><![CDATA[AVANT-GARDE REALISM IN FRANCE: COURBET In 1845, The art critic, Théophile Thoré (who &#8220;discovered&#8221; the Dutch artist, Jan Vermeer) complained that French art was &#8220;…without system, without direction, and abandoned to individual fantasy.&#8221; According to another critic, Eugène Fromentin, &#8220;…We revolve in a viscous circle. Public taste is injured; that of the painters is no [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Baudelaire and &#8220;The Painter of Modern Life&#8221;</title>
		<link>http://www.arthistoryunstuffed.com/baudelaire-the-painter-of-modern-life/</link>
		<comments>http://www.arthistoryunstuffed.com/baudelaire-the-painter-of-modern-life/#comments</comments>
		<pubDate>Fri, 27 Aug 2010 16:00:28 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art Criticism]]></category>
		<category><![CDATA[arcades]]></category>
		<category><![CDATA[Charles Baudelaire]]></category>
		<category><![CDATA[Constantin Guys]]></category>
		<category><![CDATA[dandy]]></category>
		<category><![CDATA[demimonde]]></category>
		<category><![CDATA[department stores]]></category>
		<category><![CDATA[Edouard Manet]]></category>
		<category><![CDATA[flâneur]]></category>
		<category><![CDATA[Friedrich Schiller]]></category>
		<category><![CDATA[Illustrated London News]]></category>
		<category><![CDATA[Modernism]]></category>
		<category><![CDATA[modernité]]></category>
		<category><![CDATA[The Painter of Modern LIfe]]></category>
		<category><![CDATA[The Street Singer]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=593</guid>
		<description><![CDATA[THE PAINTER OF MODERN LIFE Like many writers before and after him, Baudelaire wrote without specific commission, on “spec” as it were.  This essay on Constantin Guys, an illustrator for the Illustrated London News, was actually written in 1860 and would not be published until 1863 in installment form in Figaro.  The publication of the article [...]]]></description>
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		<item>
		<title>Charles Baudelaire, Author of Modernism</title>
		<link>http://www.arthistoryunstuffed.com/baudelaire-modernism/</link>
		<comments>http://www.arthistoryunstuffed.com/baudelaire-modernism/#comments</comments>
		<pubDate>Fri, 20 Aug 2010 16:00:45 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art Criticism]]></category>
		<category><![CDATA["heroism of modern life]]></category>
		<category><![CDATA["the Tradition of the New"]]></category>
		<category><![CDATA[Charles Baudelaire]]></category>
		<category><![CDATA[Constantin Guys]]></category>
		<category><![CDATA[dandy]]></category>
		<category><![CDATA[flâneur]]></category>
		<category><![CDATA[Gustave Courbet]]></category>
		<category><![CDATA[Harold Rosenberg]]></category>
		<category><![CDATA[Industrial Revolution]]></category>
		<category><![CDATA[Jean-François Millet]]></category>
		<category><![CDATA[Jean-Paul Sartre]]></category>
		<category><![CDATA[la boheme]]></category>
		<category><![CDATA[modernité]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Realism]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[Second Empire]]></category>
		<category><![CDATA[the Capital of the Nineteenth century]]></category>
		<category><![CDATA[The Painter of Modern LIfe]]></category>
		<category><![CDATA[Walter Benjamin]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=587</guid>
		<description><![CDATA[BAUDELAIRE AND MODERNITY Every age needs its observer and every era requires an interpreter.  That individual has to be an odd cross between a poet and a reporter, to elevate the culture above mere description.  Charles Baudelaire (1821 &#8211; 1867) was a renegade poet, a syphilitic art critic, and above all a disaffected and alienated [...]]]></description>
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		</item>
		<item>
		<title>Charles Baudelaire and Art Criticism</title>
		<link>http://www.arthistoryunstuffed.com/baudelaire-art-criticism/</link>
		<comments>http://www.arthistoryunstuffed.com/baudelaire-art-criticism/#comments</comments>
		<pubDate>Fri, 13 Aug 2010 16:00:35 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art Criticism]]></category>
		<category><![CDATA["Realist Manifesto"]]></category>
		<category><![CDATA[Charles Baudelaire]]></category>
		<category><![CDATA[Edgar Allan Poe]]></category>
		<category><![CDATA[Edouard Manet]]></category>
		<category><![CDATA[Eugene Delacroix]]></category>
		<category><![CDATA[Exposition Universelle]]></category>
		<category><![CDATA[Friedrich Schiller]]></category>
		<category><![CDATA[Gustave Courbet]]></category>
		<category><![CDATA[Jean-August Dominique Ingres]]></category>
		<category><![CDATA[Jean-Paul Sartre]]></category>
		<category><![CDATA[Jonathan Culler]]></category>
		<category><![CDATA[la boheme]]></category>
		<category><![CDATA[Les Fleurs du Mal]]></category>
		<category><![CDATA[Paris Spleen]]></category>
		<category><![CDATA[Realism]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[Salon of 1845]]></category>
		<category><![CDATA[Salon of 1846]]></category>
		<category><![CDATA[Salon of 1859]]></category>
		<category><![CDATA[The Painter of Modern LIfe]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=583</guid>
		<description><![CDATA[BAUDELAIRE AS ART CRITIC “We are going to be impartial.  We have no friends&#8212;that is a great thing&#8212;and no enemies.”  Thus Charles Baudelaire began his career as an art critic with the Salon of 1845.  With a tone we suspect to be sardonic, the young writer addressed himself to the bourgeoisie, “a very respectable personage; [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Pre-Raphaelite Brotherhood</title>
		<link>http://www.arthistoryunstuffed.com/pre-raphaelite-brotherhood/</link>
		<comments>http://www.arthistoryunstuffed.com/pre-raphaelite-brotherhood/#comments</comments>
		<pubDate>Fri, 06 Aug 2010 16:00:16 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Arts and Crafts Movement]]></category>
		<category><![CDATA[Chartism]]></category>
		<category><![CDATA[Dante Gabriel Rossetti]]></category>
		<category><![CDATA[Edward Burne-Jones]]></category>
		<category><![CDATA[Ford Maddox Brown]]></category>
		<category><![CDATA[James Abbott McNeill Whistler]]></category>
		<category><![CDATA[James Tissot]]></category>
		<category><![CDATA[John Millais]]></category>
		<category><![CDATA[John Ruskin]]></category>
		<category><![CDATA[King Arthur]]></category>
		<category><![CDATA[Pre-Raphaelite Brotherhood]]></category>
		<category><![CDATA[Queen Victoria]]></category>
		<category><![CDATA[Revolution of 1848]]></category>
		<category><![CDATA[William Holman Hunt]]></category>
		<category><![CDATA[William Morris]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=577</guid>
		<description><![CDATA[The Pre-Raphaelites in England The Pre-Raphaelite (Pre-Raphaelite Brotherhood) artists established a style and content in 1848 that was so successful and beloved that the “realism” of this group lasted as a British tradition well into the Twentieth Century.  The movement was complicated, combining vestiges of the content of Neo-Classicism and Romanticism with virtuoso demonstrations of [...]]]></description>
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		</item>
		<item>
		<title>Avant-Garde Realism in England</title>
		<link>http://www.arthistoryunstuffed.com/avant-garde-realism-england/</link>
		<comments>http://www.arthistoryunstuffed.com/avant-garde-realism-england/#comments</comments>
		<pubDate>Fri, 30 Jul 2010 16:10:29 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Alfred]]></category>
		<category><![CDATA[Archibald Knox]]></category>
		<category><![CDATA[Arts and Crafts Movement]]></category>
		<category><![CDATA[Charles Rennie Mackintosh]]></category>
		<category><![CDATA[Dante Gabriel Rossetti]]></category>
		<category><![CDATA[Great Exhibition of 1851]]></category>
		<category><![CDATA[John Millais]]></category>
		<category><![CDATA[Lord Tennyson]]></category>
		<category><![CDATA[Oxford Group]]></category>
		<category><![CDATA[PRB]]></category>
		<category><![CDATA[Pre-Raphaelite Brotherhood]]></category>
		<category><![CDATA[Reform Bill of 1832]]></category>
		<category><![CDATA[William Holman Hunt]]></category>
		<category><![CDATA[William Morris]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=372</guid>
		<description><![CDATA[Avant-Garde Realism in England At mid-century, young English artists were prepared for the Royal Academy in a system called the “schools,” or preparatory schools, such as Sass’s Academy and Heatherley’s School of Art.  But the Discourses of Sir Joshua Reynolds seemed less relevant to new artists, as a newly restive lower class demanded a voice [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Royal Academy in England</title>
		<link>http://www.arthistoryunstuffed.com/royal-academy-england/</link>
		<comments>http://www.arthistoryunstuffed.com/royal-academy-england/#comments</comments>
		<pubDate>Fri, 23 Jul 2010 16:00:38 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Benjamin West]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[National Gallery]]></category>
		<category><![CDATA[Royal Academy in England]]></category>
		<category><![CDATA[Sir Joshua Reynolds]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=368</guid>
		<description><![CDATA[Royal Academy in England Although the Royal Academy in England was established one hundred years later than the Royal Academy in France, England’s academic system was part on an ongoing rivalry for dominance between the two nations.  By the late Eighteenth Century, when the Royal Academy was established by Sir Joshua Reynolds in 1768, the [...]]]></description>
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		</item>
		<item>
		<title>Avant-Garde Realism in France</title>
		<link>http://www.arthistoryunstuffed.com/avant-garde-realism-france/</link>
		<comments>http://www.arthistoryunstuffed.com/avant-garde-realism-france/#comments</comments>
		<pubDate>Fri, 16 Jul 2010 16:00:40 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA["Realist Manifesto"]]></category>
		<category><![CDATA[Edouard Manet]]></category>
		<category><![CDATA[Eugene Fromentin]]></category>
		<category><![CDATA[French Commune]]></category>
		<category><![CDATA[Gustave Courbet]]></category>
		<category><![CDATA[Honore Daumier]]></category>
		<category><![CDATA[Jean-François Millet]]></category>
		<category><![CDATA[Rosa Bonheur]]></category>
		<category><![CDATA[Theophile Thore]]></category>
		<category><![CDATA[Thomas Couture]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=365</guid>
		<description><![CDATA[Avant-Garde Realism in France In 1845, The art critic, Théophile Thoré (who &#8220;discovered&#8221; Vermeer) complained that French art was &#8220;..without system, without direction, and abandoned to individual fantasy.&#8221; According to another critic, Eugène Fromentin, &#8220;We revolve in a viscous circle. Public taste in injured; that of the painters is no less; and we vainly seek [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Salon Realism</title>
		<link>http://www.arthistoryunstuffed.com/salon-realism/</link>
		<comments>http://www.arthistoryunstuffed.com/salon-realism/#comments</comments>
		<pubDate>Fri, 09 Jul 2010 16:10:54 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[academic art]]></category>
		<category><![CDATA[Ernst Meissonier]]></category>
		<category><![CDATA[Jean-Leon Gerome]]></category>
		<category><![CDATA[Juste milieu]]></category>
		<category><![CDATA[Paul Delaroche]]></category>
		<category><![CDATA[Realism]]></category>
		<category><![CDATA[Salon]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=360</guid>
		<description><![CDATA[Salon Realism Realism had many faces.  As an international impulse seen in European and American art, Realism was not so much a style or a look as a new approach to art, overtaking the old ideas of exhausted Romanticism. By the 1840s, due to the impact of science and technology, a more materialistic and positivist [...]]]></description>
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		</item>
		<item>
		<title>The Role of the Realist Artist</title>
		<link>http://www.arthistoryunstuffed.com/role-realist-artist/</link>
		<comments>http://www.arthistoryunstuffed.com/role-realist-artist/#comments</comments>
		<pubDate>Fri, 02 Jul 2010 16:00:29 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA["Realist Manifesto"]]></category>
		<category><![CDATA[1855]]></category>
		<category><![CDATA[Emile Zola]]></category>
		<category><![CDATA[Gustave Courbet]]></category>
		<category><![CDATA[John Ruskin]]></category>
		<category><![CDATA[Pavilion of Realism]]></category>
		<category><![CDATA[Realism]]></category>
		<category><![CDATA[Realist artist]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=356</guid>
		<description><![CDATA[The Role of the Realist Artist For the Realist artist, the world is a given and the sole aim of the artist is to describe this world.  In attempting to see the world without the subjective, the artists were acting like Positivist philosophers.  Idealism was rejected and ugliness was accepted.  For Realist artists, such as [...]]]></description>
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