<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
		xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"
	xmlns:media="http://search.yahoo.com/mrss/"
>

<channel>
	<title>Art History Unstuffed &#187; Jeanne Willette</title>
	<atom:link href="http://www.arthistoryunstuffed.com/author/jeanne/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.arthistoryunstuffed.com</link>
	<description>Art/History/Criticism/Theory</description>
	<lastBuildDate>Fri, 03 Feb 2012 16:00:09 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.1</generator>
	<copyright>2006-2007 </copyright>
	<managingEditor>info@arthistoryunstuffed.com (Art History Unstuffed)</managingEditor>
	<webMaster>info@arthistoryunstuffed.com (Art History Unstuffed)</webMaster>
	<image>
		<url>http://www.arthistoryunstuffed.com/wp-content/plugins/podpress/images/powered_by_podpress.jpg</url>
		<title>Art History Unstuffed</title>
		<link>http://www.arthistoryunstuffed.com</link>
		<width>144</width>
		<height>144</height>
	</image>
	<itunes:subtitle></itunes:subtitle>
	<itunes:summary>Art/History/Criticism/Theory</itunes:summary>
	<itunes:keywords></itunes:keywords>
	<itunes:category text="Society &#38; Culture" />
	<itunes:author>Art History Unstuffed</itunes:author>
	<itunes:owner>
		<itunes:name>Art History Unstuffed</itunes:name>
		<itunes:email>info@arthistoryunstuffed.com</itunes:email>
	</itunes:owner>
	<itunes:block>no</itunes:block>
	<itunes:explicit>no</itunes:explicit>
	<itunes:image href="http://www.arthistoryunstuffed.com/wp-content/plugins/podpress/images/powered_by_podpress_large.jpg" />
		<item>
		<title>&#8220;Modernist Painting&#8221; by Clement Greenberg</title>
		<link>http://www.arthistoryunstuffed.com/modernist-painting-by-clement-greenberg/</link>
		<comments>http://www.arthistoryunstuffed.com/modernist-painting-by-clement-greenberg/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 16:00:09 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Aesthetics]]></category>
		<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Modern Culture]]></category>
		<category><![CDATA["]]></category>
		<category><![CDATA["Modernist Painting]]></category>
		<category><![CDATA[aesthetics]]></category>
		<category><![CDATA[art-for-art's sake]]></category>
		<category><![CDATA[avant-garde]]></category>
		<category><![CDATA[Avant-Garde and Kitsch]]></category>
		<category><![CDATA[Clement Greenberg]]></category>
		<category><![CDATA[critique]]></category>
		<category><![CDATA[Critique of Judgment]]></category>
		<category><![CDATA[Edouard Manet]]></category>
		<category><![CDATA[Immanuel Kant]]></category>
		<category><![CDATA[Modernism]]></category>
		<category><![CDATA[Paul Cezanne]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1393</guid>
		<description><![CDATA[THE MODERNISM OF MODERNIST PAINTING, 1960/1  Clement Greenberg&#8217;s “Modernist Painting,” originally given as a radio broadcast in 1916 for the Voice of America’s “Forum Lectures,” was printed in 1961 in the Arts Yearbook 4 of the same year, reprinted in 1965, ’66, ‘74, ’78, and 1982.   The article achieved a canonical status and served as one [...]]]></description>
		<wfw:commentRss>http://www.arthistoryunstuffed.com/modernist-painting-by-clement-greenberg/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Neo-Dada</title>
		<link>http://www.arthistoryunstuffed.com/neo-dada/</link>
		<comments>http://www.arthistoryunstuffed.com/neo-dada/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 16:00:07 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Aesthetics]]></category>
		<category><![CDATA[Modern Art]]></category>
		<category><![CDATA["Happenings"]]></category>
		<category><![CDATA[4’30”]]></category>
		<category><![CDATA[Abstract Expressionism]]></category>
		<category><![CDATA[Allan Kaprow]]></category>
		<category><![CDATA[Automobile Tire Print (1953)]]></category>
		<category><![CDATA[“the vernacular glance”]]></category>
		<category><![CDATA[Brian O’Doherty]]></category>
		<category><![CDATA[Jasper Johns]]></category>
		<category><![CDATA[John Cage]]></category>
		<category><![CDATA[Larry Rivers]]></category>
		<category><![CDATA[Leo Castelli]]></category>
		<category><![CDATA[Leo Steinberg]]></category>
		<category><![CDATA[Marcel Duchamp]]></category>
		<category><![CDATA[Merce Cunningham]]></category>
		<category><![CDATA[Neo-Dada]]></category>
		<category><![CDATA[Performance Art]]></category>
		<category><![CDATA[Rachael Rosenthal]]></category>
		<category><![CDATA[Ray Johnson]]></category>
		<category><![CDATA[Robert Rauschenberg]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1390</guid>
		<description><![CDATA[NEO-DADA&#8212;1950-1960 Neo or new Dada was named after Marcel Duchamp who, in the fifties, began to emerge from the underground to the surface of cutting edged art in New York.  Neo-Dada did not come neatly “after” the leading movement, Abstract Expressionism, instead the new approach to art appeared suddenly in the midst of the celebration [...]]]></description>
		<wfw:commentRss>http://www.arthistoryunstuffed.com/neo-dada/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Post-War Culture in America</title>
		<link>http://www.arthistoryunstuffed.com/post-war-culture-in-america/</link>
		<comments>http://www.arthistoryunstuffed.com/post-war-culture-in-america/#comments</comments>
		<pubDate>Sat, 21 Jan 2012 16:00:09 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Modern Culture]]></category>
		<category><![CDATA["May 1968"]]></category>
		<category><![CDATA[Abstract Expressionism]]></category>
		<category><![CDATA[Arthur Danto]]></category>
		<category><![CDATA[Barnett Newman]]></category>
		<category><![CDATA[Clement Greenberg]]></category>
		<category><![CDATA[Conceptual Art]]></category>
		<category><![CDATA[Fluxus]]></category>
		<category><![CDATA[George Dickie]]></category>
		<category><![CDATA[Jackson Pollock]]></category>
		<category><![CDATA[Lee Krasner]]></category>
		<category><![CDATA[Marcel Duchamp]]></category>
		<category><![CDATA[Minimal Art]]></category>
		<category><![CDATA[Neo-Dada]]></category>
		<category><![CDATA[Op Art]]></category>
		<category><![CDATA[Photo Realism]]></category>
		<category><![CDATA[Pop Art]]></category>
		<category><![CDATA[Postmarxism]]></category>
		<category><![CDATA[Postmodernism]]></category>
		<category><![CDATA[Robert Rauschenberg]]></category>
		<category><![CDATA[The Institutional Theory of Art]]></category>
		<category><![CDATA[Triumphalism in New York]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1387</guid>
		<description><![CDATA[FROM MODERNISM TO POST-MODERNISM POST-WAR ART IN AMERICA After the Second World War, the art world was characterized by “triumphalism” in New York and a feeling of having won, not just a military war but also a cultural war.  The French and their School of Paris had been routed.  Also defeated was American Scene painting [...]]]></description>
		<wfw:commentRss>http://www.arthistoryunstuffed.com/post-war-culture-in-america/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Post-War Art in California</title>
		<link>http://www.arthistoryunstuffed.com/post-war-art-in-california/</link>
		<comments>http://www.arthistoryunstuffed.com/post-war-art-in-california/#comments</comments>
		<pubDate>Fri, 13 Jan 2012 16:00:14 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Modern Culture]]></category>
		<category><![CDATA[Alexander Archipenko]]></category>
		<category><![CDATA[California School of Fine Arts]]></category>
		<category><![CDATA[Charles and Henry Greene]]></category>
		<category><![CDATA[Chouinard School of Art]]></category>
		<category><![CDATA[Diego Rivera]]></category>
		<category><![CDATA[Dorothea Tanning]]></category>
		<category><![CDATA[Earl Stendahl]]></category>
		<category><![CDATA[Ed Kienholz]]></category>
		<category><![CDATA[Edward G. Robinson]]></category>
		<category><![CDATA[Frank Lloyd Wright]]></category>
		<category><![CDATA[Galka Scheyer]]></category>
		<category><![CDATA[Hans Hofmann]]></category>
		<category><![CDATA[Helen Lundeberg]]></category>
		<category><![CDATA[Howard Putzel]]></category>
		<category><![CDATA[Irving Gill]]></category>
		<category><![CDATA[John Barrymore]]></category>
		<category><![CDATA[José Clemente Orozco]]></category>
		<category><![CDATA[Man Ray]]></category>
		<category><![CDATA[Marcel Duchamp]]></category>
		<category><![CDATA[Max Ernst]]></category>
		<category><![CDATA[Maynard Dixon]]></category>
		<category><![CDATA[Millard Sheets]]></category>
		<category><![CDATA[Otis Institute]]></category>
		<category><![CDATA[Philip Lovell]]></category>
		<category><![CDATA[Richard Neutra]]></category>
		<category><![CDATA[Rudolph Schindler]]></category>
		<category><![CDATA[Simon Rodia]]></category>
		<category><![CDATA[Stanley Rose]]></category>
		<category><![CDATA[Sterling Holloway]]></category>
		<category><![CDATA[Treasure Island in San Francisco]]></category>
		<category><![CDATA[Vincent Price]]></category>
		<category><![CDATA[Wallace Berman]]></category>
		<category><![CDATA[Walter and Louise Arensberg]]></category>
		<category><![CDATA[Watts Towers]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1384</guid>
		<description><![CDATA[ POST-WAR ART  IN LOS ANGELES AND SAN FRANCISCO At first glance, California would seem to be an exceedingly unpromising place for major art to emerge in the second half of the Twentieth Century.  A new state with a throwaway culture without a history, California had small pockets of local art scenes, more or less picturesque [...]]]></description>
		<wfw:commentRss>http://www.arthistoryunstuffed.com/post-war-art-in-california/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Beats, Art and Literature</title>
		<link>http://www.arthistoryunstuffed.com/the-beats-art-and-literature/</link>
		<comments>http://www.arthistoryunstuffed.com/the-beats-art-and-literature/#comments</comments>
		<pubDate>Fri, 06 Jan 2012 16:00:25 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Modern Culture]]></category>
		<category><![CDATA["The White Negro]]></category>
		<category><![CDATA[Allen Ginsberg]]></category>
		<category><![CDATA[Art After 1940 by Jonathan Fineberg]]></category>
		<category><![CDATA[“Maynard G. Krebs"]]></category>
		<category><![CDATA[“Steely Dan"]]></category>
		<category><![CDATA[Beats]]></category>
		<category><![CDATA[Bruce Connor]]></category>
		<category><![CDATA[Ed Kienholz]]></category>
		<category><![CDATA[Gore Vidal]]></category>
		<category><![CDATA[Howl]]></category>
		<category><![CDATA[ity Lights Bookstore]]></category>
		<category><![CDATA[Jack Kerouac]]></category>
		<category><![CDATA[Jasper Johns]]></category>
		<category><![CDATA[Jay de Feo]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[Jean-Michel Basquiat]]></category>
		<category><![CDATA[Lawrence Ferlinghett]]></category>
		<category><![CDATA[Naked Lunch]]></category>
		<category><![CDATA[Neal Cassady]]></category>
		<category><![CDATA[Norman Mailer]]></category>
		<category><![CDATA[North Beach in San Francisco]]></category>
		<category><![CDATA[On the Road]]></category>
		<category><![CDATA[Robert Frank]]></category>
		<category><![CDATA[Robert Rauschenberg]]></category>
		<category><![CDATA[Six Gallery in San Francisco]]></category>
		<category><![CDATA[The Americans (1958)]]></category>
		<category><![CDATA[The Beat Movement]]></category>
		<category><![CDATA[The Beatles]]></category>
		<category><![CDATA[Wallace Berman]]></category>
		<category><![CDATA[Wally Hedrick]]></category>
		<category><![CDATA[Walter Becker and Donald Fagen]]></category>
		<category><![CDATA[William Burroughs]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1382</guid>
		<description><![CDATA[BEAT CULTURE 1950s Most cultural movements are large-scale shifts in thinking due to a collective action on the part of many people.  Beat Culture is unusual in that the concept of what it meant to be a Beat was based upon the writings and activities of a very few people who had an extraordinary impact [...]]]></description>
		<wfw:commentRss>http://www.arthistoryunstuffed.com/the-beats-art-and-literature/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Art in San Francisco, 1940-1950</title>
		<link>http://www.arthistoryunstuffed.com/art-in-san-francisco-1940-1950/</link>
		<comments>http://www.arthistoryunstuffed.com/art-in-san-francisco-1940-1950/#comments</comments>
		<pubDate>Fri, 30 Dec 2011 16:00:18 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA["Museum of Unknown and Little Known Objects"]]></category>
		<category><![CDATA[1945-1980]]></category>
		<category><![CDATA[Ad Reinhardt]]></category>
		<category><![CDATA[Adolph and Alma Spreckels]]></category>
		<category><![CDATA[Ansel Adams]]></category>
		<category><![CDATA[Anthony W. Lee]]></category>
		<category><![CDATA[Arschile Gorky’s Enigmatic Combat (1941)]]></category>
		<category><![CDATA[Art in the San Francisco Bay Area]]></category>
		<category><![CDATA[August Gay]]></category>
		<category><![CDATA[Bay Area Figuration]]></category>
		<category><![CDATA[Beatrice Judd Ryan]]></category>
		<category><![CDATA[Bernard Maybeck]]></category>
		<category><![CDATA[Bernard von Eichman]]></category>
		<category><![CDATA[Betty Parsons]]></category>
		<category><![CDATA[Blue Four (Kandinsky]]></category>
		<category><![CDATA[Bohemian Club]]></category>
		<category><![CDATA[California College of Arts and Crafts]]></category>
		<category><![CDATA[California Impressionists]]></category>
		<category><![CDATA[California School of Fine Arts]]></category>
		<category><![CDATA[Charles Crocker]]></category>
		<category><![CDATA[Clay Spohn]]></category>
		<category><![CDATA[Clyfford Still]]></category>
		<category><![CDATA[David Park]]></category>
		<category><![CDATA[Diego Rivera]]></category>
		<category><![CDATA[Douglas MacAgy]]></category>
		<category><![CDATA[Ed Corbett]]></category>
		<category><![CDATA[Elmer Bischoff]]></category>
		<category><![CDATA[Erle Loren]]></category>
		<category><![CDATA[Frank Lobdell]]></category>
		<category><![CDATA[Funk Art]]></category>
		<category><![CDATA[Galerie Beaux-Arts]]></category>
		<category><![CDATA[Galka Scheyer]]></category>
		<category><![CDATA[Grace L. McCann Morley]]></category>
		<category><![CDATA[H. M. de Young Memorial Museum]]></category>
		<category><![CDATA[Hans Hofmann]]></category>
		<category><![CDATA[Hassel Smith]]></category>
		<category><![CDATA[Jackson Pollock’s Guardians of the Secret (1943)]]></category>
		<category><![CDATA[Jawlensky and Feininger)]]></category>
		<category><![CDATA[Klee]]></category>
		<category><![CDATA[Louis Siegriest]]></category>
		<category><![CDATA[Marcel Duchamp]]></category>
		<category><![CDATA[Mark Hopkins]]></category>
		<category><![CDATA[Mark Rothko]]></category>
		<category><![CDATA[Maurice Logan]]></category>
		<category><![CDATA[Metart Galleries]]></category>
		<category><![CDATA[Nancy Boas]]></category>
		<category><![CDATA[Painting on the Left. Diego Rivera]]></category>
		<category><![CDATA[Palace of Fine Arts]]></category>
		<category><![CDATA[Panama Pacific International Exposition]]></category>
		<category><![CDATA[Radical Politics and San Francisco's Public Murals]]></category>
		<category><![CDATA[Richard Diebenkorn]]></category>
		<category><![CDATA[Sam Francis]]></category>
		<category><![CDATA[San Francisco]]></category>
		<category><![CDATA[Society of Six]]></category>
		<category><![CDATA[The Society of Six: California Colorists]]></category>
		<category><![CDATA[Thomas Albright]]></category>
		<category><![CDATA[William H. Clapp]]></category>
		<category><![CDATA[William Randolph Hearst]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1378</guid>
		<description><![CDATA[ART IN SAN FRANCISCO 1940-1950 San Francisco was the center of high culture on the West Coast, boasting an opera and art museums and art schools while Los Angeles was a provincial oil town.  Remarkably, the California School of Fine Arts, now the San Francisco Art Institute, was established in 1871.The H. M. de Young [...]]]></description>
		<wfw:commentRss>http://www.arthistoryunstuffed.com/art-in-san-francisco-1940-1950/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Culture in Los Angeles, 1940-1950</title>
		<link>http://www.arthistoryunstuffed.com/culture-in-los-angeles-1940-1950/</link>
		<comments>http://www.arthistoryunstuffed.com/culture-in-los-angeles-1940-1950/#comments</comments>
		<pubDate>Fri, 23 Dec 2011 16:00:40 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Aldous Huxley]]></category>
		<category><![CDATA[Alexander Grenach]]></category>
		<category><![CDATA[Anaïs Nin]]></category>
		<category><![CDATA[Arnold Schoenberg]]></category>
		<category><![CDATA[“Hard-boiled”]]></category>
		<category><![CDATA[“Pulp Fiction"]]></category>
		<category><![CDATA[Ben Maddow]]></category>
		<category><![CDATA[Berthold Brecht]]></category>
		<category><![CDATA[Billy Wilder]]></category>
		<category><![CDATA[Carl Foreman]]></category>
		<category><![CDATA[Cary Grant]]></category>
		<category><![CDATA[Charles Fletcher Lummis]]></category>
		<category><![CDATA[Chinatown (1974)]]></category>
		<category><![CDATA[Christopher Isherwood]]></category>
		<category><![CDATA[Clifford Odets]]></category>
		<category><![CDATA[Colonel Harrison Gray Otis]]></category>
		<category><![CDATA[Dalton Trumbo]]></category>
		<category><![CDATA[Dashiell Hammett]]></category>
		<category><![CDATA[David Niven]]></category>
		<category><![CDATA[Edward Dmytryk]]></category>
		<category><![CDATA[Erich Maria Remarque]]></category>
		<category><![CDATA[Erich von Stroheim]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[Fritz Kortner]]></category>
		<category><![CDATA[Fritz Lang]]></category>
		<category><![CDATA[Gerald Heard]]></category>
		<category><![CDATA[Harry Chandler]]></category>
		<category><![CDATA[Henry Miller]]></category>
		<category><![CDATA[Horace McCoy]]></category>
		<category><![CDATA[James M. Cain]]></category>
		<category><![CDATA[Jean Renoir]]></category>
		<category><![CDATA[John Fante]]></category>
		<category><![CDATA[Jr.]]></category>
		<category><![CDATA[Lord Bertram Russell]]></category>
		<category><![CDATA[Los Angeles]]></category>
		<category><![CDATA[Luis Buñuel]]></category>
		<category><![CDATA[Marlene Deitrich]]></category>
		<category><![CDATA[Max Horkheimer]]></category>
		<category><![CDATA[Max Reinhardt]]></category>
		<category><![CDATA[Mike Davis]]></category>
		<category><![CDATA[Nathanael West]]></category>
		<category><![CDATA[Peter Lorre]]></category>
		<category><![CDATA[Raoul Whitfield]]></category>
		<category><![CDATA[Raymond Chandler]]></category>
		<category><![CDATA[Red Hot Chili Peppers]]></category>
		<category><![CDATA[Ring Lardner]]></category>
		<category><![CDATA[the Sleepy Lagoon Murders (1942) the Zoot Suit Riots (1943)]]></category>
		<category><![CDATA[Theodor Adorno]]></category>
		<category><![CDATA[Thomas Mann]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1376</guid>
		<description><![CDATA[CULTURE IN LOS ANGELES 1940-1950 The City of Angels has many names, or to be more correct, many variations of its Spanish name: El Pueblo de Nuestra Senora la Reina de Los Angeles de Porciuncula.  The locals have their own names for the city: “L.A.” and the “City of Lost Angels,” located in “Californication,” as [...]]]></description>
		<wfw:commentRss>http://www.arthistoryunstuffed.com/culture-in-los-angeles-1940-1950/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Events in Abstract Expressionism</title>
		<link>http://www.arthistoryunstuffed.com/events-in-abstract-expressionism/</link>
		<comments>http://www.arthistoryunstuffed.com/events-in-abstract-expressionism/#comments</comments>
		<pubDate>Sat, 17 Dec 2011 03:00:47 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Adolph Gottlieb]]></category>
		<category><![CDATA[Arnold Newman]]></category>
		<category><![CDATA[Barnett Newman]]></category>
		<category><![CDATA[Betty Parsons]]></category>
		<category><![CDATA[Brian O'Doherty]]></category>
		<category><![CDATA[Cedar Street Tavern]]></category>
		<category><![CDATA[Clyfford Still]]></category>
		<category><![CDATA[David Smith]]></category>
		<category><![CDATA[Eight Street Club]]></category>
		<category><![CDATA[Elaine de Kooning]]></category>
		<category><![CDATA[Eva Cockcroft]]></category>
		<category><![CDATA[George Donders]]></category>
		<category><![CDATA[Harold Rosenberg]]></category>
		<category><![CDATA[Iron Curtain Speech]]></category>
		<category><![CDATA[Jackson Pollock]]></category>
		<category><![CDATA[Lee Krasner]]></category>
		<category><![CDATA[Loyalty Oath]]></category>
		<category><![CDATA[Marshall Plan]]></category>
		<category><![CDATA[Max Kozloff]]></category>
		<category><![CDATA[Peggy Guggenheim]]></category>
		<category><![CDATA[Robert Motherwell]]></category>
		<category><![CDATA[Truman Doctrine]]></category>
		<category><![CDATA[Willem de Kooning]]></category>
		<category><![CDATA[Winston Churchill]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1366</guid>
		<description><![CDATA[EVENTS FOR ABSTRACT EXPRESSIONISM, 1945-1955 In 1946, former British prime minister, Winston Churchill made his famous “Iron Curtain” speech in March at Fulton, Missouri.  According to Churchill, who had always been suspicious of Stalin, traditional fascism verses democracy had been replaced by a new confrontation between communism verses democracy.  The Cold War was on.  With [...]]]></description>
		<wfw:commentRss>http://www.arthistoryunstuffed.com/events-in-abstract-expressionism/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Abstract Expressionism: Redefining Art, Part Two</title>
		<link>http://www.arthistoryunstuffed.com/abstract-expressionism-redefining-art-part-two/</link>
		<comments>http://www.arthistoryunstuffed.com/abstract-expressionism-redefining-art-part-two/#comments</comments>
		<pubDate>Fri, 09 Dec 2011 16:00:23 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[" André Breton]]></category>
		<category><![CDATA[Abstract Expressionism]]></category>
		<category><![CDATA[Adolph Gottlieb]]></category>
		<category><![CDATA[André Masson]]></category>
		<category><![CDATA[Barnett Newman]]></category>
		<category><![CDATA[David Siqueiros]]></category>
		<category><![CDATA[Diego Rivera]]></category>
		<category><![CDATA[Guernica]]></category>
		<category><![CDATA[Hans Hofmann]]></category>
		<category><![CDATA[Harold Rosenberg]]></category>
		<category><![CDATA[Jackson Pollock]]></category>
		<category><![CDATA[José Clemente Orozco]]></category>
		<category><![CDATA[Lee Krasner]]></category>
		<category><![CDATA[Matta]]></category>
		<category><![CDATA[Pablo Picasso]]></category>
		<category><![CDATA[Piet Mondrian]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1372</guid>
		<description><![CDATA[How Abstract Expressionism Re-Defined Painting and Art: Abstract Expressionism and Meaning The Abstract Expressionist artists translated &#8220;meaning&#8221; from subject matter to the broader and deeper intent of the word.  For these artists, &#8220;meaning&#8221; had to be profound and transcendent so that art could rise above the rather minor role it played during the Thirties as [...]]]></description>
		<wfw:commentRss>http://www.arthistoryunstuffed.com/abstract-expressionism-redefining-art-part-two/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Abstract Expressionism: Redefining Art, Part One</title>
		<link>http://www.arthistoryunstuffed.com/abstract-expressionism-redefining-art-part-one/</link>
		<comments>http://www.arthistoryunstuffed.com/abstract-expressionism-redefining-art-part-one/#comments</comments>
		<pubDate>Fri, 02 Dec 2011 16:00:31 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Abstract Expressionism]]></category>
		<category><![CDATA[Adolph Gottlieb]]></category>
		<category><![CDATA[American Regionalism]]></category>
		<category><![CDATA[American Scene Painting]]></category>
		<category><![CDATA[Barnett Newman]]></category>
		<category><![CDATA[Clement Greenberg]]></category>
		<category><![CDATA[crisis in painting]]></category>
		<category><![CDATA[Dada]]></category>
		<category><![CDATA[Franz Kline]]></category>
		<category><![CDATA[Harold Rosenberg]]></category>
		<category><![CDATA[Irving Sandler]]></category>
		<category><![CDATA[Jackson Pollock]]></category>
		<category><![CDATA[Joan Miró]]></category>
		<category><![CDATA[Mark Rothko]]></category>
		<category><![CDATA[myth]]></category>
		<category><![CDATA[primal]]></category>
		<category><![CDATA[primeval]]></category>
		<category><![CDATA[Robert Motherwell]]></category>
		<category><![CDATA[Second World War]]></category>
		<category><![CDATA[Social Realism]]></category>
		<category><![CDATA[Spanish Republic]]></category>
		<category><![CDATA[Surrealism]]></category>
		<category><![CDATA[The New York School]]></category>
		<category><![CDATA[Willem de Kooning]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1361</guid>
		<description><![CDATA[How Abstract Expressionism Re-Defined Painting and Art: Abstract Expressionism and Content To work as an artist in New York City during the 1940s was to work in what the Chinese curse called &#8220;interesting times. The Abstract Expressionist artists of the New York School struggled to make art during a catastrophic world war while the entire [...]]]></description>
		<wfw:commentRss>http://www.arthistoryunstuffed.com/abstract-expressionism-redefining-art-part-one/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

