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	<title>Art History Unstuffed &#187; Modern Culture</title>
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	<description>Art/History/Criticism/Theory</description>
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		<title>Art History Unstuffed</title>
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	<itunes:summary>Art/History/Criticism/Theory</itunes:summary>
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	<itunes:category text="Society &#38; Culture" />
	<itunes:author>Art History Unstuffed</itunes:author>
	<itunes:owner>
		<itunes:name>Art History Unstuffed</itunes:name>
		<itunes:email>info@arthistoryunstuffed.com</itunes:email>
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		<item>
		<title>&#8220;Modernist Painting&#8221; by Clement Greenberg</title>
		<link>http://www.arthistoryunstuffed.com/modernist-painting-by-clement-greenberg/</link>
		<comments>http://www.arthistoryunstuffed.com/modernist-painting-by-clement-greenberg/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 16:00:09 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Aesthetics]]></category>
		<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Modern Culture]]></category>
		<category><![CDATA["]]></category>
		<category><![CDATA["Modernist Painting]]></category>
		<category><![CDATA[aesthetics]]></category>
		<category><![CDATA[art-for-art's sake]]></category>
		<category><![CDATA[avant-garde]]></category>
		<category><![CDATA[Avant-Garde and Kitsch]]></category>
		<category><![CDATA[Clement Greenberg]]></category>
		<category><![CDATA[critique]]></category>
		<category><![CDATA[Critique of Judgment]]></category>
		<category><![CDATA[Edouard Manet]]></category>
		<category><![CDATA[Immanuel Kant]]></category>
		<category><![CDATA[Modernism]]></category>
		<category><![CDATA[Paul Cezanne]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1393</guid>
		<description><![CDATA[THE MODERNISM OF MODERNIST PAINTING, 1960/1  Clement Greenberg&#8217;s “Modernist Painting,” originally given as a radio broadcast in 1916 for the Voice of America’s “Forum Lectures,” was printed in 1961 in the Arts Yearbook 4 of the same year, reprinted in 1965, ’66, ‘74, ’78, and 1982.   The article achieved a canonical status and served as one [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Post-War Culture in America</title>
		<link>http://www.arthistoryunstuffed.com/post-war-culture-in-america/</link>
		<comments>http://www.arthistoryunstuffed.com/post-war-culture-in-america/#comments</comments>
		<pubDate>Sat, 21 Jan 2012 16:00:09 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Modern Culture]]></category>
		<category><![CDATA["May 1968"]]></category>
		<category><![CDATA[Abstract Expressionism]]></category>
		<category><![CDATA[Arthur Danto]]></category>
		<category><![CDATA[Barnett Newman]]></category>
		<category><![CDATA[Clement Greenberg]]></category>
		<category><![CDATA[Conceptual Art]]></category>
		<category><![CDATA[Fluxus]]></category>
		<category><![CDATA[George Dickie]]></category>
		<category><![CDATA[Jackson Pollock]]></category>
		<category><![CDATA[Lee Krasner]]></category>
		<category><![CDATA[Marcel Duchamp]]></category>
		<category><![CDATA[Minimal Art]]></category>
		<category><![CDATA[Neo-Dada]]></category>
		<category><![CDATA[Op Art]]></category>
		<category><![CDATA[Photo Realism]]></category>
		<category><![CDATA[Pop Art]]></category>
		<category><![CDATA[Postmarxism]]></category>
		<category><![CDATA[Postmodernism]]></category>
		<category><![CDATA[Robert Rauschenberg]]></category>
		<category><![CDATA[The Institutional Theory of Art]]></category>
		<category><![CDATA[Triumphalism in New York]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1387</guid>
		<description><![CDATA[FROM MODERNISM TO POST-MODERNISM POST-WAR ART IN AMERICA After the Second World War, the art world was characterized by “triumphalism” in New York and a feeling of having won, not just a military war but also a cultural war.  The French and their School of Paris had been routed.  Also defeated was American Scene painting [...]]]></description>
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		</item>
		<item>
		<title>Post-War Art in California</title>
		<link>http://www.arthistoryunstuffed.com/post-war-art-in-california/</link>
		<comments>http://www.arthistoryunstuffed.com/post-war-art-in-california/#comments</comments>
		<pubDate>Fri, 13 Jan 2012 16:00:14 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Modern Culture]]></category>
		<category><![CDATA[Alexander Archipenko]]></category>
		<category><![CDATA[California School of Fine Arts]]></category>
		<category><![CDATA[Charles and Henry Greene]]></category>
		<category><![CDATA[Chouinard School of Art]]></category>
		<category><![CDATA[Diego Rivera]]></category>
		<category><![CDATA[Dorothea Tanning]]></category>
		<category><![CDATA[Earl Stendahl]]></category>
		<category><![CDATA[Ed Kienholz]]></category>
		<category><![CDATA[Edward G. Robinson]]></category>
		<category><![CDATA[Frank Lloyd Wright]]></category>
		<category><![CDATA[Galka Scheyer]]></category>
		<category><![CDATA[Hans Hofmann]]></category>
		<category><![CDATA[Helen Lundeberg]]></category>
		<category><![CDATA[Howard Putzel]]></category>
		<category><![CDATA[Irving Gill]]></category>
		<category><![CDATA[John Barrymore]]></category>
		<category><![CDATA[José Clemente Orozco]]></category>
		<category><![CDATA[Man Ray]]></category>
		<category><![CDATA[Marcel Duchamp]]></category>
		<category><![CDATA[Max Ernst]]></category>
		<category><![CDATA[Maynard Dixon]]></category>
		<category><![CDATA[Millard Sheets]]></category>
		<category><![CDATA[Otis Institute]]></category>
		<category><![CDATA[Philip Lovell]]></category>
		<category><![CDATA[Richard Neutra]]></category>
		<category><![CDATA[Rudolph Schindler]]></category>
		<category><![CDATA[Simon Rodia]]></category>
		<category><![CDATA[Stanley Rose]]></category>
		<category><![CDATA[Sterling Holloway]]></category>
		<category><![CDATA[Treasure Island in San Francisco]]></category>
		<category><![CDATA[Vincent Price]]></category>
		<category><![CDATA[Wallace Berman]]></category>
		<category><![CDATA[Walter and Louise Arensberg]]></category>
		<category><![CDATA[Watts Towers]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1384</guid>
		<description><![CDATA[ POST-WAR ART  IN LOS ANGELES AND SAN FRANCISCO At first glance, California would seem to be an exceedingly unpromising place for major art to emerge in the second half of the Twentieth Century.  A new state with a throwaway culture without a history, California had small pockets of local art scenes, more or less picturesque [...]]]></description>
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		</item>
		<item>
		<title>The Beats, Art and Literature</title>
		<link>http://www.arthistoryunstuffed.com/the-beats-art-and-literature/</link>
		<comments>http://www.arthistoryunstuffed.com/the-beats-art-and-literature/#comments</comments>
		<pubDate>Fri, 06 Jan 2012 16:00:25 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Modern Culture]]></category>
		<category><![CDATA["The White Negro]]></category>
		<category><![CDATA[Allen Ginsberg]]></category>
		<category><![CDATA[Art After 1940 by Jonathan Fineberg]]></category>
		<category><![CDATA[“Maynard G. Krebs"]]></category>
		<category><![CDATA[“Steely Dan"]]></category>
		<category><![CDATA[Beats]]></category>
		<category><![CDATA[Bruce Connor]]></category>
		<category><![CDATA[Ed Kienholz]]></category>
		<category><![CDATA[Gore Vidal]]></category>
		<category><![CDATA[Howl]]></category>
		<category><![CDATA[ity Lights Bookstore]]></category>
		<category><![CDATA[Jack Kerouac]]></category>
		<category><![CDATA[Jasper Johns]]></category>
		<category><![CDATA[Jay de Feo]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[Jean-Michel Basquiat]]></category>
		<category><![CDATA[Lawrence Ferlinghett]]></category>
		<category><![CDATA[Naked Lunch]]></category>
		<category><![CDATA[Neal Cassady]]></category>
		<category><![CDATA[Norman Mailer]]></category>
		<category><![CDATA[North Beach in San Francisco]]></category>
		<category><![CDATA[On the Road]]></category>
		<category><![CDATA[Robert Frank]]></category>
		<category><![CDATA[Robert Rauschenberg]]></category>
		<category><![CDATA[Six Gallery in San Francisco]]></category>
		<category><![CDATA[The Americans (1958)]]></category>
		<category><![CDATA[The Beat Movement]]></category>
		<category><![CDATA[The Beatles]]></category>
		<category><![CDATA[Wallace Berman]]></category>
		<category><![CDATA[Wally Hedrick]]></category>
		<category><![CDATA[Walter Becker and Donald Fagen]]></category>
		<category><![CDATA[William Burroughs]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1382</guid>
		<description><![CDATA[BEAT CULTURE 1950s Most cultural movements are large-scale shifts in thinking due to a collective action on the part of many people.  Beat Culture is unusual in that the concept of what it meant to be a Beat was based upon the writings and activities of a very few people who had an extraordinary impact [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;The Avant-Garde and Kitsch,&#8221; 1939 by Clement Greenberg</title>
		<link>http://www.arthistoryunstuffed.com/the-avant-garde-and-kitsch-1939/</link>
		<comments>http://www.arthistoryunstuffed.com/the-avant-garde-and-kitsch-1939/#comments</comments>
		<pubDate>Fri, 11 Nov 2011 16:00:58 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Aesthetics]]></category>
		<category><![CDATA[Modern Culture]]></category>
		<category><![CDATA[1939]]></category>
		<category><![CDATA[“estrangement” strategy]]></category>
		<category><![CDATA[Berthold Brecht]]></category>
		<category><![CDATA[Clement Greenberg]]></category>
		<category><![CDATA[Partisan Review]]></category>
		<category><![CDATA[The Avant-Garde and Kitsch]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1275</guid>
		<description><![CDATA[THE HISTORICAL CONTEXT OF The Avant-Garde and Kitsch, 1939 by Clement Greenberg What is life?  If one paraphrases the painter, Ad Reinhardt, “Life is everything that is not art or art is everything that is not life&#8230;” which means that much has been excluded from art&#8230;an exclusion, which would please the New York critic, Clement [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;The Origin of German Tragic Drama,&#8221; 1925 by Walter Benjamin</title>
		<link>http://www.arthistoryunstuffed.com/the-origin-of-german-tragic-drama-1925/</link>
		<comments>http://www.arthistoryunstuffed.com/the-origin-of-german-tragic-drama-1925/#comments</comments>
		<pubDate>Fri, 21 Oct 2011 16:00:56 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Aesthetics]]></category>
		<category><![CDATA[Modern Culture]]></category>
		<category><![CDATA[" Erwin Panofsky]]></category>
		<category><![CDATA[Aby Warburg]]></category>
		<category><![CDATA[Charles Baudelaire]]></category>
		<category><![CDATA[Friedrich Schiller]]></category>
		<category><![CDATA[George Steiner]]></category>
		<category><![CDATA[Heinrich Wolfflin]]></category>
		<category><![CDATA[On Mourning and Melancholia]]></category>
		<category><![CDATA[On Naïve and Sentimental Poetry]]></category>
		<category><![CDATA[The Origin of German Tragic Drama]]></category>
		<category><![CDATA[Ursprung des deutschenTrauerspiels]]></category>
		<category><![CDATA[Walter Benjamin]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1271</guid>
		<description><![CDATA[Trauerspielbuch (The Origin of German Tragic Drama), 1925 by Walter Benjamin  Walter Benjamin’s Ursprung des deutschenTrauerspiels utilized a thought floated by Marx, that all art would become “allegorical” as a result of commodification and of its transformation into a fetishistic object. In this notoriously difficult book, Benjamin foregrounded allegory as the structural underpinning of the [...]]]></description>
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		</item>
		<item>
		<title>&#8220;The Work of Art in an Age of Mechanical Reproduction,&#8221; by Walter Benjamin, Part Two</title>
		<link>http://www.arthistoryunstuffed.com/the-work-of-art-in-an-age-of-mechanical-reproduction-part-two/</link>
		<comments>http://www.arthistoryunstuffed.com/the-work-of-art-in-an-age-of-mechanical-reproduction-part-two/#comments</comments>
		<pubDate>Fri, 14 Oct 2011 16:00:18 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Aesthetics]]></category>
		<category><![CDATA[Modern Culture]]></category>
		<category><![CDATA["]]></category>
		<category><![CDATA[" "auratic perception]]></category>
		<category><![CDATA["aura]]></category>
		<category><![CDATA[Dialectic of Enlightenment (1944)]]></category>
		<category><![CDATA[Jean Baudrillard]]></category>
		<category><![CDATA[Max Horkheimer]]></category>
		<category><![CDATA[Sergei Eisenstein]]></category>
		<category><![CDATA[Siegfried Kracauer]]></category>
		<category><![CDATA[The Work of Art in its Age of Technological Reproducibility]]></category>
		<category><![CDATA[Theodor Adorno]]></category>
		<category><![CDATA[Triumph of Will]]></category>
		<category><![CDATA[Walter Benjamin]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1605</guid>
		<description><![CDATA[Re-reading &#8220;The Work of Art in an Age of Mechanical Reproduction&#8221; by Walter Benjamin Part Two Decades after the death of Walter Benjamin, The Work of Art in its Age of Technological Reproducibility was often mis-read and misunderstood, but in its own time, this essay had a profound impact upon the thinking of Benjamin&#8217;s friend Theodor Adorno. [...]]]></description>
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		</item>
		<item>
		<title>&#8220;The Work of Art in an Age of Mechanical Reproduction,&#8221; 1936 Part One by Walter Benjamin</title>
		<link>http://www.arthistoryunstuffed.com/the-work-of-art-in-an-age-of-mechanical-reproduction-1936/</link>
		<comments>http://www.arthistoryunstuffed.com/the-work-of-art-in-an-age-of-mechanical-reproduction-1936/#comments</comments>
		<pubDate>Fri, 07 Oct 2011 16:00:07 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Aesthetics]]></category>
		<category><![CDATA[Modern Culture]]></category>
		<category><![CDATA[Bernd Witt]]></category>
		<category><![CDATA[Bertold Brecht]]></category>
		<category><![CDATA[Frankfurt School]]></category>
		<category><![CDATA[Michael Jennings]]></category>
		<category><![CDATA[The Work of Art in an Age of Mechanical Reproduction]]></category>
		<category><![CDATA[The Work of Art in the Age of It’s Technological Reproducibility]]></category>
		<category><![CDATA[Theodor Adorno]]></category>
		<category><![CDATA[Walter Benjamin]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1267</guid>
		<description><![CDATA[Re-reading The Work of Art in an Age of Mechanical Reproduction, 1936 by Walter Benjamin Part One Also know as The Work of Art in the Age of Its Technological Reproducibility, this essay by Walter Benjamin has been published in three different versions.   The definitive second, or “Ur,” version, as Benjamin stated, has been published most [...]]]></description>
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		</item>
		<item>
		<title>The Philosophy of Walter Benjamin, Part Two</title>
		<link>http://www.arthistoryunstuffed.com/the-philosophy-of-walter-benjamin/</link>
		<comments>http://www.arthistoryunstuffed.com/the-philosophy-of-walter-benjamin/#comments</comments>
		<pubDate>Fri, 30 Sep 2011 16:00:26 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Aesthetics]]></category>
		<category><![CDATA[Modern Culture]]></category>
		<category><![CDATA[1931]]></category>
		<category><![CDATA[1936]]></category>
		<category><![CDATA[Bertolt Brecht]]></category>
		<category><![CDATA[Hans Sahl]]></category>
		<category><![CDATA[Short History of Photography]]></category>
		<category><![CDATA[Surrealism. The Last Snapshot of the European Intelligentsia]]></category>
		<category><![CDATA[The Destructive Character]]></category>
		<category><![CDATA[The Work of Art in the Age of its Technological Reproduction]]></category>
		<category><![CDATA[Theodor Adorno]]></category>
		<category><![CDATA[Unpacking My Library. A Talk about Book Collecting]]></category>
		<category><![CDATA[Walter Benjamin]]></category>
		<category><![CDATA[Walter Benjamin in the Internment Camp]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1263</guid>
		<description><![CDATA[WALTER BENJAMIN (1892 -1940) Life and Work: Part Two Working for German publications, Walter Benjamin earned enough money to spend some months in Paris where, in 1927, he began his famous and unfinished Arcades Project.  As one would imagine, he and his wife Dora divorced and in 1930 Benjamin published his Habilitation and a new [...]]]></description>
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		</item>
		<item>
		<title>The Philosophy of Walter Benjamin, Part One</title>
		<link>http://www.arthistoryunstuffed.com/walter_benjamin_part_one/</link>
		<comments>http://www.arthistoryunstuffed.com/walter_benjamin_part_one/#comments</comments>
		<pubDate>Fri, 23 Sep 2011 16:00:17 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Aesthetics]]></category>
		<category><![CDATA[Modern Culture]]></category>
		<category><![CDATA[1921]]></category>
		<category><![CDATA[A Critique of Violence]]></category>
		<category><![CDATA[Bertolt Brecht]]></category>
		<category><![CDATA[Georg Lukács]]></category>
		<category><![CDATA[Institute for Social Research]]></category>
		<category><![CDATA[Max Horkheimer]]></category>
		<category><![CDATA[Peter Fenves]]></category>
		<category><![CDATA[Theodor Adorno]]></category>
		<category><![CDATA[Walter Benjamin]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1259</guid>
		<description><![CDATA[WALTER BENJAMIN (1892 -1940) Life and Work: Part One  Like many Jewish intellectuals in Germany, Walter Benjamin considered himself “German”.  His family was privileged and fully assimilated into the larger German society.  It would be this stratum of German society that would be the most unguarded and the most threatened by the Nazis.  Intellectuals thought [...]]]></description>
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