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	<title>Art History Unstuffed</title>
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	<description>Art/History/Criticism/Theory</description>
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		<copyright>2006-2007 </copyright>
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		<itunes:summary>Art/History/Criticism/Theory</itunes:summary>
		<itunes:author>Art History Unstuffed</itunes:author>
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			<itunes:name>Art History Unstuffed</itunes:name>
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			<title>Art History Unstuffed</title>
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		<title>Avant-Garde Realism in England</title>
		<link>http://www.arthistoryunstuffed.com/avant-garde-realism-england/</link>
		<comments>http://www.arthistoryunstuffed.com/avant-garde-realism-england/#comments</comments>
		<pubDate>Fri, 30 Jul 2010 16:10:29 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Alfred]]></category>
		<category><![CDATA[Archibald Knox]]></category>
		<category><![CDATA[Arts and Crafts Movement]]></category>
		<category><![CDATA[Charles Rennie Mackintosh]]></category>
		<category><![CDATA[Dante Gabriel Rossetti]]></category>
		<category><![CDATA[Great Exhibition of 1851]]></category>
		<category><![CDATA[John Millais]]></category>
		<category><![CDATA[Lord Tennyson]]></category>
		<category><![CDATA[Oxford Group]]></category>
		<category><![CDATA[PRB]]></category>
		<category><![CDATA[Pre-Raphaelite Brotherhood]]></category>
		<category><![CDATA[Reform Bill of 1832]]></category>
		<category><![CDATA[William Holman Hunt]]></category>
		<category><![CDATA[William Morris]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=372</guid>
		<description><![CDATA[Avant-Garde Realism in England At mid-century, young English artists were prepared for the Royal Academy in a system called the “schools,” or preparatory schools, such as Sass’s Academy and Heatherley’s School of Art.  But the Discourses of Sir Joshua Reynolds seemed less relevant to new artists, as a newly restive lower class demanded a voice [...]]]></description>
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		<title>Royal Academy in England</title>
		<link>http://www.arthistoryunstuffed.com/royal-academy-england/</link>
		<comments>http://www.arthistoryunstuffed.com/royal-academy-england/#comments</comments>
		<pubDate>Fri, 23 Jul 2010 16:00:38 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Benjamin West]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[National Gallery]]></category>
		<category><![CDATA[Royal Academy in England]]></category>
		<category><![CDATA[Sir Joshua Reynolds]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=368</guid>
		<description><![CDATA[Royal Academy in England Although the Royal Academy in England was established one hundred years later than the Royal Academy in France, England’s academic system was part on an ongoing rivalry for dominance between the two nations.  By the late Eighteenth Century, when the Royal Academy was established by Sir Joshua Reynolds in 1768, the [...]]]></description>
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		<item>
		<title>Avant-Garde Realism in France</title>
		<link>http://www.arthistoryunstuffed.com/avant-garde-realism-france/</link>
		<comments>http://www.arthistoryunstuffed.com/avant-garde-realism-france/#comments</comments>
		<pubDate>Fri, 16 Jul 2010 16:00:40 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA["Realist Manifesto"]]></category>
		<category><![CDATA[Edouard Manet]]></category>
		<category><![CDATA[Eugene Fromentin]]></category>
		<category><![CDATA[French Commune]]></category>
		<category><![CDATA[Gustave Courbet]]></category>
		<category><![CDATA[Honore Daumier]]></category>
		<category><![CDATA[Jean-François Millet]]></category>
		<category><![CDATA[Rosa Bonheur]]></category>
		<category><![CDATA[Theophile Thore]]></category>
		<category><![CDATA[Thomas Couture]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=365</guid>
		<description><![CDATA[Avant-Garde Realism in France In 1845, The art critic, Théophile Thoré (who &#8220;discovered&#8221; Vermeer) complained that French art was &#8220;..without system, without direction, and abandoned to individual fantasy.&#8221; According to another critic, Eugène Fromentin, &#8220;We revolve in a viscous circle. Public taste in injured; that of the painters is no less; and we vainly seek [...]]]></description>
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		</item>
		<item>
		<title>Salon Realism</title>
		<link>http://www.arthistoryunstuffed.com/salon-realism/</link>
		<comments>http://www.arthistoryunstuffed.com/salon-realism/#comments</comments>
		<pubDate>Fri, 09 Jul 2010 16:10:54 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[academic art]]></category>
		<category><![CDATA[Ernst Meissonier]]></category>
		<category><![CDATA[Jean-Leon Gerome]]></category>
		<category><![CDATA[Juste milieu]]></category>
		<category><![CDATA[Paul Delaroche]]></category>
		<category><![CDATA[Realism]]></category>
		<category><![CDATA[Salon]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=360</guid>
		<description><![CDATA[Salon Realism Realism had many faces.  As an international impulse seen in European and American art, Realism was not so much a style or a look as a new approach to art, overtaking the old ideas of exhausted Romanticism. By the 1840s, due to the impact of science and technology, a more materialistic and positivist [...]]]></description>
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		</item>
		<item>
		<title>The Role of the Realist Artist</title>
		<link>http://www.arthistoryunstuffed.com/role-realist-artist/</link>
		<comments>http://www.arthistoryunstuffed.com/role-realist-artist/#comments</comments>
		<pubDate>Fri, 02 Jul 2010 16:00:29 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA["Realist Manifesto"]]></category>
		<category><![CDATA[1855]]></category>
		<category><![CDATA[Emile Zola]]></category>
		<category><![CDATA[Gustave Courbet]]></category>
		<category><![CDATA[John Ruskin]]></category>
		<category><![CDATA[Pavilion of Realism]]></category>
		<category><![CDATA[Realism]]></category>
		<category><![CDATA[Realist artist]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=356</guid>
		<description><![CDATA[The Role of the Realist Artist For the Realist artist, the world is a given and the sole aim of the artist is to describe this world.  In attempting to see the world without the subjective, the artists were acting like Positivist philosophers.  Idealism was rejected and ugliness was accepted.  For Realist artists, such as [...]]]></description>
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		</item>
		<item>
		<title>Realism in Mid-Century Art</title>
		<link>http://www.arthistoryunstuffed.com/realism-midcentury-art/</link>
		<comments>http://www.arthistoryunstuffed.com/realism-midcentury-art/#comments</comments>
		<pubDate>Fri, 25 Jun 2010 16:00:23 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[“Il faut être de son temps”]]></category>
		<category><![CDATA[Edouard Manet]]></category>
		<category><![CDATA[Emile Zola]]></category>
		<category><![CDATA[Gustave Courbet]]></category>
		<category><![CDATA[Gustave Flaubert]]></category>
		<category><![CDATA[James Tissot]]></category>
		<category><![CDATA[James Whistler]]></category>
		<category><![CDATA[Jean-François Millet]]></category>
		<category><![CDATA[John Millais]]></category>
		<category><![CDATA[Lily Martin Spencer]]></category>
		<category><![CDATA[Pre-Raphaelite Brotherhood]]></category>
		<category><![CDATA[Realism]]></category>
		<category><![CDATA[Revolution of 1848]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[Rosa Bonheur]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=284</guid>
		<description><![CDATA[Realism in French and English Art The main goal of a Realist artist in France was to create an objective and detached description of banal reality, as it existed, in all its ordinariness.  Realism, tended to adhere to a particular social point of view that of championing the poor or the lower classes.  Depending upon [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Realism in England, France and America</title>
		<link>http://www.arthistoryunstuffed.com/realism-england-france-america/</link>
		<comments>http://www.arthistoryunstuffed.com/realism-england-france-america/#comments</comments>
		<pubDate>Fri, 18 Jun 2010 16:00:21 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Albert Bierstadt]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Ford Maddox Brown]]></category>
		<category><![CDATA[Frederich Church]]></category>
		<category><![CDATA[George Caleb Bingham]]></category>
		<category><![CDATA[Georges Sand]]></category>
		<category><![CDATA[Jean-François Millet]]></category>
		<category><![CDATA[John Millais]]></category>
		<category><![CDATA[Luminism]]></category>
		<category><![CDATA[Peasant Painting]]></category>
		<category><![CDATA[Pre-Raphaelite Brotherhood]]></category>
		<category><![CDATA[Realism]]></category>
		<category><![CDATA[Romanticism]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=281</guid>
		<description><![CDATA[Realism in England, France, and America At the end of the Napoléonic wars, the French were able to take a good hard look at the impact of the Industrial Revolution, going full speed ahead in Britain.  Appalled at the misery of the lower classes, the industrial smog of London, and the blighting effects of technology, [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Podcast 22  Romanticism and Friedrich</title>
		<link>http://www.arthistoryunstuffed.com/podcast-22-romanticism-friedrich/</link>
		<comments>http://www.arthistoryunstuffed.com/podcast-22-romanticism-friedrich/#comments</comments>
		<pubDate>Fri, 11 Jun 2010 16:00:50 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art Podcasts]]></category>
		<category><![CDATA[Caspar David Friedrich]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[Napoléon]]></category>
		<category><![CDATA[Romanticism]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=562</guid>
		<description><![CDATA[Caspar David Friedrich personified German Romanticism, producing paintings that became icons of the movement.  Working in a nation under alien occupation, Friedrich found the intersection between pantheism and the alienation of human beings in a new and modern world.  The serene and severe German landscape around Dresden and at the edge of the North Sea [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Marxism, Art and the Artist</title>
		<link>http://www.arthistoryunstuffed.com/marxism-art-artist/</link>
		<comments>http://www.arthistoryunstuffed.com/marxism-art-artist/#comments</comments>
		<pubDate>Fri, 11 Jun 2010 16:00:05 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA["natural" and "cultural"]]></category>
		<category><![CDATA[art as fetish]]></category>
		<category><![CDATA[Auguste Comte]]></category>
		<category><![CDATA[Avant-Garde and Kitsch]]></category>
		<category><![CDATA[bourgeoisie]]></category>
		<category><![CDATA[capitalism]]></category>
		<category><![CDATA[Clement Greenberg]]></category>
		<category><![CDATA[commodity]]></category>
		<category><![CDATA[fetish]]></category>
		<category><![CDATA[Friedrich Engels]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Karl Marx]]></category>
		<category><![CDATA[Pierre-Joseph Proudhon]]></category>
		<category><![CDATA[Realism]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[Socialism]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=276</guid>
		<description><![CDATA[Marxism, Art and the Artist In his anthology, Marxism and Art, Maynard Solomon recounted that although both Karl Marx and Friedrich Engels were interested in the literary arts early in their respective careers, they both were distracted by philosophy.  As a result, “There is no ‘original’ Marxist aesthetics for later Marxists to apply.  The history [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Marx, Engels, and Capitalism</title>
		<link>http://www.arthistoryunstuffed.com/marx-engels-capitalism/</link>
		<comments>http://www.arthistoryunstuffed.com/marx-engels-capitalism/#comments</comments>
		<pubDate>Fri, 04 Jun 2010 16:00:34 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Philosophy]]></category>
		<category><![CDATA["false consciousness"]]></category>
		<category><![CDATA["high capitalism"]]></category>
		<category><![CDATA[Adam Smith]]></category>
		<category><![CDATA[alienation]]></category>
		<category><![CDATA[bourgeoisie]]></category>
		<category><![CDATA[Friedrich Engels]]></category>
		<category><![CDATA[human consciousness]]></category>
		<category><![CDATA[Karl Marx]]></category>
		<category><![CDATA[power relations]]></category>
		<category><![CDATA[reification]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=272</guid>
		<description><![CDATA[Marx, Engels, and Capitalism As philosophers who inherited the goals of the Enlightenment, Karl Marx and Friedrich Engels believed the main theme was freedom, freedom to become a full human being, creating oneself through free choices.  They attributed a high value to the human personality and believed that making a life was distinct from making [...]]]></description>
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