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	<title>Art History Unstuffed</title>
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	<link>http://www.arthistoryunstuffed.com</link>
	<description>Art/History/Criticism/Theory</description>
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	<itunes:summary>Art/History/Criticism/Theory</itunes:summary>
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	<itunes:category text="Society &#38; Culture" />
	<itunes:author>Art History Unstuffed</itunes:author>
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		<itunes:name>Art History Unstuffed</itunes:name>
		<itunes:email>info@arthistoryunstuffed.com</itunes:email>
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		<item>
		<title>Earth Art</title>
		<link>http://www.arthistoryunstuffed.com/earth-art/</link>
		<comments>http://www.arthistoryunstuffed.com/earth-art/#comments</comments>
		<pubDate>Fri, 18 May 2012 16:00:25 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Contemporary Art]]></category>
		<category><![CDATA[1982 Wheatfield]]></category>
		<category><![CDATA[Agnes Denes]]></category>
		<category><![CDATA[Andy Goldsworthy]]></category>
		<category><![CDATA[Christo and Jeanne-Claude]]></category>
		<category><![CDATA[Complex One]]></category>
		<category><![CDATA[Earth Art or Environmental Art or Land Art]]></category>
		<category><![CDATA[Entropy and The New Monuments]]></category>
		<category><![CDATA[Helen and Newton Harrison]]></category>
		<category><![CDATA[James Turrell's Roden Crater]]></category>
		<category><![CDATA[Michael Heizer's Double Negative]]></category>
		<category><![CDATA[Michael Heizer's Levitated Mass]]></category>
		<category><![CDATA[Nancy Holt]]></category>
		<category><![CDATA[Richard Long and Hamish Fulton]]></category>
		<category><![CDATA[Robert Smithson's Spiral Jetty]]></category>
		<category><![CDATA[Sun Tunnels]]></category>
		<category><![CDATA[Walter de Maria's Lightening Field]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1445</guid>
		<description><![CDATA[ ART OF THE ENVIRONMENT One of the last important “movements,” Earth Art or Environmental Art or Land Art,  was an inevitable extension of Minimal Art and Process Art.  Combining elements of both movements, Earth Art moved art out of the galleries and museums, often to sites inaccessible to all but the most dedicated and ambitious [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Process Art</title>
		<link>http://www.arthistoryunstuffed.com/process-art/</link>
		<comments>http://www.arthistoryunstuffed.com/process-art/#comments</comments>
		<pubDate>Fri, 11 May 2012 16:00:56 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Contemporary Art]]></category>
		<category><![CDATA[" in 1968]]></category>
		<category><![CDATA["Anti-Form]]></category>
		<category><![CDATA["Art After Art Philosophy" by Joseph Kosuth]]></category>
		<category><![CDATA["finish fetish"]]></category>
		<category><![CDATA["Pictural-Sculptural phase"]]></category>
		<category><![CDATA[Anti-Illusion: Procedures/Materials at the Whitney Museum and When Attitudes Become Form at The Institute of Contemporary Arts]]></category>
		<category><![CDATA[Barry Le Va’]]></category>
		<category><![CDATA[Conceptual Art]]></category>
		<category><![CDATA[Eva Hesse]]></category>
		<category><![CDATA[Jackie Windsor]]></category>
		<category><![CDATA[Jackson Pollock]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[Post-Minimal Art]]></category>
		<category><![CDATA[Process Art]]></category>
		<category><![CDATA[Richard Serra]]></category>
		<category><![CDATA[Robert Morris]]></category>
		<category><![CDATA[Virginia Dwan]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1442</guid>
		<description><![CDATA[ ART AS PROCESS  Definition When the peripatetic artist, Robert Morris, abandoned his hollow gray wooden Minimal objects and pinned to the wall a cascade of felt folding itself into resplendent labial folds relaxing into a pool of material on the floor, the art world knew that a new movement had begun.  Hard and permanent was [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Minimalism and the Object</title>
		<link>http://www.arthistoryunstuffed.com/minimalism-and-the-object/</link>
		<comments>http://www.arthistoryunstuffed.com/minimalism-and-the-object/#comments</comments>
		<pubDate>Fri, 04 May 2012 18:00:54 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Contemporary Aesthetics]]></category>
		<category><![CDATA[Contemporary Art]]></category>
		<category><![CDATA[1966 article]]></category>
		<category><![CDATA[1990 book Minimal Art. The Critical Perspectives]]></category>
		<category><![CDATA[“Notes on Sculpture]]></category>
		<category><![CDATA[“Primary Structures”]]></category>
		<category><![CDATA[“Specific Objects”]]></category>
		<category><![CDATA[Carl Andre]]></category>
		<category><![CDATA[David Smith]]></category>
		<category><![CDATA[Donald Judd]]></category>
		<category><![CDATA[Frances Colpitt]]></category>
		<category><![CDATA[Frank Stella]]></category>
		<category><![CDATA[gestalt in Minimal Art]]></category>
		<category><![CDATA[Kynaston McShine]]></category>
		<category><![CDATA[Lawrence Alloway]]></category>
		<category><![CDATA[Lucy Lippard]]></category>
		<category><![CDATA[Michael Fried]]></category>
		<category><![CDATA[Robert Morris]]></category>
		<category><![CDATA[Sol Le Witt]]></category>
		<category><![CDATA[Systemic Painting]]></category>
		<category><![CDATA[Tony Smith]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1439</guid>
		<description><![CDATA[OBJECTS AND THE GESTALT IN MINIMAL ART The Primary Structures exhibition at the Jewish Museum in 1966 made official the existence of a new art movement, Minimalism.  As would be the case in identifying any new trend, the collection of artworks and which artists were included, caused some controversy.  In her 1966 review of a follow [...]]]></description>
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		</item>
		<item>
		<title>Defining Minimal Art, Part Two</title>
		<link>http://www.arthistoryunstuffed.com/minimalism-as-discourse/</link>
		<comments>http://www.arthistoryunstuffed.com/minimalism-as-discourse/#comments</comments>
		<pubDate>Fri, 27 Apr 2012 16:00:22 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Contemporary Art]]></category>
		<category><![CDATA[Contemporary Art Criticism]]></category>
		<category><![CDATA["Art and Objecthood" in 1967]]></category>
		<category><![CDATA["institutional theory of art"]]></category>
		<category><![CDATA["Minimalist Art vs. Modernist Sensibility: A Close Reading of Michael Fried's "Art and Objecthood"]]></category>
		<category><![CDATA[Absorption and Theatricality]]></category>
		<category><![CDATA[Abstract Expressionism]]></category>
		<category><![CDATA[Arthur Danto and George Dickie]]></category>
		<category><![CDATA[“Specific Objects”]]></category>
		<category><![CDATA[Carl Andre]]></category>
		<category><![CDATA[Clement Greenberg]]></category>
		<category><![CDATA[Donald Judd]]></category>
		<category><![CDATA[Frank Stella]]></category>
		<category><![CDATA[Laying the Tracks Others Followed]]></category>
		<category><![CDATA[Merve Ünsal]]></category>
		<category><![CDATA[Michael Fried's "Three American Painters" of 1965]]></category>
		<category><![CDATA[Minimal Art as Theater]]></category>
		<category><![CDATA[Minimalism]]></category>
		<category><![CDATA[Minimalist Art]]></category>
		<category><![CDATA[Robert Morris]]></category>
		<category><![CDATA[Roberta Smith]]></category>
		<category><![CDATA[Tony Smith]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1437</guid>
		<description><![CDATA[THE DIALECTICS OF MINIMALISM AS DISCOURSE Part Two As an art movement, Minimalism was one of the first to attempt to establish its own art writing and its artists attempted to assert themselves against the art critics.  By the mid-sixties, cracks in the edifice of Modernist art writing had begun to appear.  From the years [...]]]></description>
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		</item>
		<item>
		<title>Defining Minimal Art, Part One</title>
		<link>http://www.arthistoryunstuffed.com/defining-minimal-art/</link>
		<comments>http://www.arthistoryunstuffed.com/defining-minimal-art/#comments</comments>
		<pubDate>Fri, 20 Apr 2012 16:00:03 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Contemporary Aesthetics]]></category>
		<category><![CDATA[Contemporary Art]]></category>
		<category><![CDATA[Abstract Expressionism]]></category>
		<category><![CDATA[“ABC Art”]]></category>
		<category><![CDATA[“Art and Objecthood”]]></category>
		<category><![CDATA[“Literalist Art”]]></category>
		<category><![CDATA[“Notes on Sculpture]]></category>
		<category><![CDATA[“Primary Structures”]]></category>
		<category><![CDATA[“Specific Objects”]]></category>
		<category><![CDATA[Clement Greenberg]]></category>
		<category><![CDATA[Donald Judd]]></category>
		<category><![CDATA[Edmund Husserl]]></category>
		<category><![CDATA[formalism]]></category>
		<category><![CDATA[installation art]]></category>
		<category><![CDATA[Jewish Museum]]></category>
		<category><![CDATA[Marcel Duchamp]]></category>
		<category><![CDATA[Michael Fried]]></category>
		<category><![CDATA[Parts I and II”]]></category>
		<category><![CDATA[phenomenology]]></category>
		<category><![CDATA[Primary Structures exhibition in 1966]]></category>
		<category><![CDATA[Readymades]]></category>
		<category><![CDATA[Richard Wollheim]]></category>
		<category><![CDATA[Robert Morris]]></category>
		<category><![CDATA[Ronald Bladen's X]]></category>
		<category><![CDATA[site specific art]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1428</guid>
		<description><![CDATA[MINIMAL ART AS ART/NOT ART Part One “Installation Art” is an all-inclusive term encompassing performance art and public and and art exhibitions in which the objects and the way they are displayed are dependent upon the particular space and the presence of the audience.  Installation art is called site specific art, meaning that that site [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fluxus as Experience</title>
		<link>http://www.arthistoryunstuffed.com/fluxus-in-europe/</link>
		<comments>http://www.arthistoryunstuffed.com/fluxus-in-europe/#comments</comments>
		<pubDate>Fri, 13 Apr 2012 16:00:39 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Contemporary Art]]></category>
		<category><![CDATA["Fluxus Internationale Festspiel Neuester Musik]]></category>
		<category><![CDATA[Addi Kopcke]]></category>
		<category><![CDATA[Alison Knowles]]></category>
		<category><![CDATA[Annemarie Chandler]]></category>
		<category><![CDATA[At a Distance: Precursors to Art and Activism on the Internet]]></category>
		<category><![CDATA[Ay-O]]></category>
		<category><![CDATA[Ben Vautier]]></category>
		<category><![CDATA[Benjamin Patterson]]></category>
		<category><![CDATA[Charlotte Moorman]]></category>
		<category><![CDATA[Dada]]></category>
		<category><![CDATA[Daniel Spoerri]]></category>
		<category><![CDATA[Dick Higgins]]></category>
		<category><![CDATA[Dorothée Brill]]></category>
		<category><![CDATA[Emmett Williams]]></category>
		<category><![CDATA[Event Scores]]></category>
		<category><![CDATA[Finger Box]]></category>
		<category><![CDATA[Fluxkits]]></category>
		<category><![CDATA[Fluxus]]></category>
		<category><![CDATA[George Macinuas]]></category>
		<category><![CDATA[Georges Mathieu and Lucio Fontanta]]></category>
		<category><![CDATA[Hannah Higgins]]></category>
		<category><![CDATA[Harold Rosenberg]]></category>
		<category><![CDATA[Jackson Marlow]]></category>
		<category><![CDATA[Jackson Pollock]]></category>
		<category><![CDATA[Jean-Paul Sartre]]></category>
		<category><![CDATA[John Cage]]></category>
		<category><![CDATA[Joseph Beuys]]></category>
		<category><![CDATA[La Monte Young]]></category>
		<category><![CDATA[Marcel Duchamp]]></category>
		<category><![CDATA[Nam June Paik]]></category>
		<category><![CDATA[Neo-Dada]]></category>
		<category><![CDATA[Norie Neumark']]></category>
		<category><![CDATA[Philip Corner]]></category>
		<category><![CDATA[Robert Filliou]]></category>
		<category><![CDATA[Robert Watts]]></category>
		<category><![CDATA[Shigeko Kubota]]></category>
		<category><![CDATA[Shock and the Senseless in Dada and Fluxus]]></category>
		<category><![CDATA[Terry Riley]]></category>
		<category><![CDATA[Toshi Iohiyangagi]]></category>
		<category><![CDATA[Tristan Tzara]]></category>
		<category><![CDATA[Yoko Ono]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1866</guid>
		<description><![CDATA[ART AS EVENT Compared to the brief flash of the Happenings in New York City, in Europe, Performance Art was a far more important part of the post war experience for artists in Germany and France. Many of the European artists re-connected with the old Dada spirit, going back to art as it existed before [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>New York Art and the Happenings</title>
		<link>http://www.arthistoryunstuffed.com/fluxus-and-the-happenings/</link>
		<comments>http://www.arthistoryunstuffed.com/fluxus-and-the-happenings/#comments</comments>
		<pubDate>Fri, 06 Apr 2012 16:00:15 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Contemporary Art]]></category>
		<category><![CDATA["Happenings"]]></category>
		<category><![CDATA["Notes on the Creation of a Total Art"]]></category>
		<category><![CDATA["The American Action Painters"]]></category>
		<category><![CDATA[18 Happenings in 6 Parts]]></category>
		<category><![CDATA[1959]]></category>
		<category><![CDATA[Abstract Expressionism]]></category>
		<category><![CDATA[Allan Kaprow]]></category>
		<category><![CDATA[“The Legacy of Jackson Pollock”]]></category>
		<category><![CDATA[Carol Kino]]></category>
		<category><![CDATA[City Gallery]]></category>
		<category><![CDATA[Claes Oldenburg]]></category>
		<category><![CDATA[Clement Greenberg]]></category>
		<category><![CDATA[Ellen Pearlman]]></category>
		<category><![CDATA[Green Gallery]]></category>
		<category><![CDATA[Hans Namuth]]></category>
		<category><![CDATA[Hansa Gallery]]></category>
		<category><![CDATA[Harold Rosenberg]]></category>
		<category><![CDATA[installation art]]></category>
		<category><![CDATA[Jackson Pollock]]></category>
		<category><![CDATA[Jim Dine]]></category>
		<category><![CDATA[Judson Memorial Church]]></category>
		<category><![CDATA[Lucas Samaras]]></category>
		<category><![CDATA[Performance Art]]></category>
		<category><![CDATA[Ray Gun Manufacturing Company]]></category>
		<category><![CDATA[The Street and Snapshots from the City]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1425</guid>
		<description><![CDATA[THE HAPPENINGS: AN INTERACTION OF ART AND LIFE The so-called &#8220;drip&#8221; paintings of Jackson Pollock may have &#8220;broken the ice,&#8221; as Willem de Kooning put it, and put American art on the map, but the most lasting legacy of the artist was not his large abstract canvases, but a series of photographs and a short [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Pop Art in Europe</title>
		<link>http://www.arthistoryunstuffed.com/pop-art-in-europe/</link>
		<comments>http://www.arthistoryunstuffed.com/pop-art-in-europe/#comments</comments>
		<pubDate>Fri, 30 Mar 2012 16:00:11 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Contemporary Art]]></category>
		<category><![CDATA["Capitalist Realism"]]></category>
		<category><![CDATA["Connecting the Dots: Sigmar Polke's Rasterbilder in Their Socio-political Context"]]></category>
		<category><![CDATA["History in a Blur"]]></category>
		<category><![CDATA["Life with Pop - A Demonstration for Capitalist Realism"]]></category>
		<category><![CDATA["The Sixties"]]></category>
		<category><![CDATA[Allen Jones]]></category>
		<category><![CDATA[Andy Warhol]]></category>
		<category><![CDATA[Arthur Danto]]></category>
		<category><![CDATA[Asger Jorn]]></category>
		<category><![CDATA[Back to Postmodernity]]></category>
		<category><![CDATA[Bridget Riley]]></category>
		<category><![CDATA[British Pop]]></category>
		<category><![CDATA[CoBrA]]></category>
		<category><![CDATA[David Bailey]]></category>
		<category><![CDATA[David Hockney]]></category>
		<category><![CDATA[décollage]]></category>
		<category><![CDATA[Détournement]]></category>
		<category><![CDATA[Edouard Paolozzi]]></category>
		<category><![CDATA[Eduardo Paolozzi]]></category>
		<category><![CDATA[Eight Student Nurses]]></category>
		<category><![CDATA[European Pop Art]]></category>
		<category><![CDATA[Felix Guattari]]></category>
		<category><![CDATA[Gerhard Richter]]></category>
		<category><![CDATA[Gerhard Richter's Atlas]]></category>
		<category><![CDATA[Gerhard Richter's Eight Student Nurses]]></category>
		<category><![CDATA[Gerhard Richter's Mouth]]></category>
		<category><![CDATA[Gerhard Richter's Woman with an Umbrella]]></category>
		<category><![CDATA[Guy Debord]]></category>
		<category><![CDATA[Jacques de la Villeglé]]></category>
		<category><![CDATA[Joseph E. McHugh]]></category>
		<category><![CDATA[Konrad Fischer]]></category>
		<category><![CDATA[Lawrence Alloway]]></category>
		<category><![CDATA[Lettrists]]></category>
		<category><![CDATA[Margritt Rowell]]></category>
		<category><![CDATA[Mary Quant]]></category>
		<category><![CDATA[Minno Ortella]]></category>
		<category><![CDATA[Op Art]]></category>
		<category><![CDATA[Peter Blake]]></category>
		<category><![CDATA[Pop Art]]></category>
		<category><![CDATA[Pop Art in Paris]]></category>
		<category><![CDATA[Pop Art in West Germany]]></category>
		<category><![CDATA[R. J. Kitaj]]></category>
		<category><![CDATA[Ralph Rumney]]></category>
		<category><![CDATA[Rasterbilder]]></category>
		<category><![CDATA[Ray Johnson]]></category>
		<category><![CDATA[Raymond Hains]]></category>
		<category><![CDATA[Reyner Banham]]></category>
		<category><![CDATA[Richard Hamilton]]></category>
		<category><![CDATA[Sigmar Polke]]></category>
		<category><![CDATA[Situationist International]]></category>
		<category><![CDATA[Society of the Spectacle]]></category>
		<category><![CDATA[Spectacle]]></category>
		<category><![CDATA[Swinging London]]></category>
		<category><![CDATA[This is Tomorrow]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1422</guid>
		<description><![CDATA[ EURO POP American art history has tended to assume that something called &#8220;Pop Art&#8221; existed in Europe and has introduced a select group of European artists as examples.  However, only London wholeheartedly embraced American popular culture, while other major cities were attempting to reconnect with their pre-war artistic roots.  Another significant distinction between American and [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Characteristics of Pop Art</title>
		<link>http://www.arthistoryunstuffed.com/characteristics-of-pop-art/</link>
		<comments>http://www.arthistoryunstuffed.com/characteristics-of-pop-art/#comments</comments>
		<pubDate>Fri, 23 Mar 2012 16:00:50 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Contemporary Aesthetics]]></category>
		<category><![CDATA[Contemporary Art]]></category>
		<category><![CDATA[Contemporary Culture]]></category>
		<category><![CDATA["A Work of Art in an Age of Reproduction"]]></category>
		<category><![CDATA[Abstract Expression]]></category>
		<category><![CDATA[Andy Warhol]]></category>
		<category><![CDATA[Civil Rights]]></category>
		<category><![CDATA[Claes Olderberg]]></category>
		<category><![CDATA[Clement Greenberg]]></category>
		<category><![CDATA[F-111]]></category>
		<category><![CDATA[Ferus Gallery]]></category>
		<category><![CDATA[Freedom Riders]]></category>
		<category><![CDATA[George Kennan]]></category>
		<category><![CDATA[George Segal]]></category>
		<category><![CDATA[James Rosenquist]]></category>
		<category><![CDATA[Jasper Johns]]></category>
		<category><![CDATA[Jean Baudrillard]]></category>
		<category><![CDATA[kitsch]]></category>
		<category><![CDATA[Martin Luther King]]></category>
		<category><![CDATA[Mel Ramos]]></category>
		<category><![CDATA[Neo-Dada]]></category>
		<category><![CDATA[politics in Pop Art]]></category>
		<category><![CDATA[Pop Art]]></category>
		<category><![CDATA[popular culture]]></category>
		<category><![CDATA[Richard Hamilton]]></category>
		<category><![CDATA[Robert Heineken]]></category>
		<category><![CDATA[Robert Rauschenberg]]></category>
		<category><![CDATA[Roy Lichtenstein]]></category>
		<category><![CDATA[Tom Wesselman]]></category>
		<category><![CDATA[Walter Benjamin]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1419</guid>
		<description><![CDATA[WHAT WAS POP ART?  Before it was anything else, Pop Art was American&#8230;and white&#8230;and urban&#8230;.and male&#8230;and middle class&#8230;and straight. Pop Art was about affluence, about money and all the things that the middle class white male could afford to buy and everything the man of affluence wanted to look at.  Mainstream art history has tended [...]]]></description>
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		<title>Introduction to Pop Art</title>
		<link>http://www.arthistoryunstuffed.com/introduction-to-pop-art/</link>
		<comments>http://www.arthistoryunstuffed.com/introduction-to-pop-art/#comments</comments>
		<pubDate>Fri, 16 Mar 2012 16:00:42 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Contemporary Art]]></category>
		<category><![CDATA["New Realism"]]></category>
		<category><![CDATA["Return to the Object"]]></category>
		<category><![CDATA["The Americans]]></category>
		<category><![CDATA[Abstract Expressionism]]></category>
		<category><![CDATA[Andy Warhol]]></category>
		<category><![CDATA[Arman]]></category>
		<category><![CDATA[British Pop Art]]></category>
		<category><![CDATA[Claes Oldenburg]]></category>
		<category><![CDATA[Cubism]]></category>
		<category><![CDATA[Dada]]></category>
		<category><![CDATA[Daniel Spoerri]]></category>
		<category><![CDATA[Edouardo Palozzi]]></category>
		<category><![CDATA[Francis Picabia]]></category>
		<category><![CDATA[Futurism]]></category>
		<category><![CDATA[George Segal]]></category>
		<category><![CDATA[Gerald Murphy]]></category>
		<category><![CDATA[Independent Group]]></category>
		<category><![CDATA[Institute of Contemporary Art]]></category>
		<category><![CDATA[Jackson Pollock]]></category>
		<category><![CDATA[Jasper Johns]]></category>
		<category><![CDATA[Jean Tinguely]]></category>
		<category><![CDATA[Lawrence Alloway]]></category>
		<category><![CDATA[Le Nouveau Réalisme]]></category>
		<category><![CDATA[Low Culture]]></category>
		<category><![CDATA[Lucy Lippard]]></category>
		<category><![CDATA[Marcel Duchamp]]></category>
		<category><![CDATA[Margaret Mead]]></category>
		<category><![CDATA[Mimmo Rotella]]></category>
		<category><![CDATA[Neo-Dada]]></category>
		<category><![CDATA[Niki de Saint Phalle]]></category>
		<category><![CDATA[Norman Bryson]]></category>
		<category><![CDATA[Pop Art]]></category>
		<category><![CDATA[popular culture]]></category>
		<category><![CDATA[Richard Hamilton]]></category>
		<category><![CDATA[Robert Frank]]></category>
		<category><![CDATA[Robert Rauschenberg]]></category>
		<category><![CDATA[Stuart Davis]]></category>
		<category><![CDATA[The Generation Gap]]></category>
		<category><![CDATA[Willem de Kooning]]></category>
		<category><![CDATA[Yves Klein]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1412</guid>
		<description><![CDATA[DEFINING ART AS POPULAR CULTURE DEFINING POPULAR CULTURE AS ART Introduction &#8220;A walk down 14th street is more amazing than any masterpiece of art,&#8221; commented Allan Kaprow, a Pop artist in New York.  This statement sums up what Pop Art was reacting to and what this movement was against&#8212;the &#8220;artiness&#8221; of &#8220;art,&#8221; the &#8220;masterpiece,&#8221; the [...]]]></description>
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