Neo-Dada and anti-Moderism
It is one of the ironies of art history that at the very moment Abstract Expressionism began to gain traction in the art world, that a major challenger would emerge to steal the spotlight. Neo-Dada, somewhat indebted to Marcel Duchamp, was a non-movement made up of two painters, Robert Raushchenberg and Jasper Johns, and two performance artists, John Cage and Merce Cunningham and their associates. Neo-Dada was an underground art movement of underground artists that managed to gain the support of the Museum of Modern Art and of the cutting edge galleries in New York and Paris.
Tags: " hybrid painting, "things the mind already knows, Abstract Expressionism, Chance, Clement Greenberg, de-skilling, impurity in painting, Indifference, installation art, Jasper Johns, John Cage, Leo Castelli, Marcel Duchamp, mixed media, Neo-Dada, Post-Modernism, Readymades, Robert Rauschenberg, The New York School, The Origin of German Tragic Drama, Walter Benjamin