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	<title>Art History Unstuffed &#187; avant-garde</title>
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	<itunes:author>Art History Unstuffed</itunes:author>
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		<title>&#8220;Modernist Painting&#8221; by Clement Greenberg</title>
		<link>http://www.arthistoryunstuffed.com/modernist-painting-by-clement-greenberg/</link>
		<comments>http://www.arthistoryunstuffed.com/modernist-painting-by-clement-greenberg/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 16:00:09 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Aesthetics]]></category>
		<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Modern Culture]]></category>
		<category><![CDATA["]]></category>
		<category><![CDATA["Modernist Painting]]></category>
		<category><![CDATA[aesthetics]]></category>
		<category><![CDATA[art-for-art's sake]]></category>
		<category><![CDATA[avant-garde]]></category>
		<category><![CDATA[Avant-Garde and Kitsch]]></category>
		<category><![CDATA[Clement Greenberg]]></category>
		<category><![CDATA[critique]]></category>
		<category><![CDATA[Critique of Judgment]]></category>
		<category><![CDATA[Edouard Manet]]></category>
		<category><![CDATA[Immanuel Kant]]></category>
		<category><![CDATA[Modernism]]></category>
		<category><![CDATA[Paul Cezanne]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1393</guid>
		<description><![CDATA[THE MODERNISM OF MODERNIST PAINTING, 1960/1  Clement Greenberg&#8217;s “Modernist Painting,” originally given as a radio broadcast in 1916 for the Voice of America’s “Forum Lectures,” was printed in 1961 in the Arts Yearbook 4 of the same year, reprinted in 1965, ’66, ‘74, ’78, and 1982.   The article achieved a canonical status and served as one [...]]]></description>
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		<title>Podcast 15 French Romanticism: Delacroix, Part Two</title>
		<link>http://www.arthistoryunstuffed.com/podcast-15-french-romanticism-delacroix-part-two/</link>
		<comments>http://www.arthistoryunstuffed.com/podcast-15-french-romanticism-delacroix-part-two/#comments</comments>
		<pubDate>Fri, 05 Mar 2010 16:00:08 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art Podcasts]]></category>
		<category><![CDATA[avant-garde]]></category>
		<category><![CDATA[colonialism]]></category>
		<category><![CDATA[Eugene Delacroix]]></category>
		<category><![CDATA[imperialism]]></category>
		<category><![CDATA[Ingres]]></category>
		<category><![CDATA[line versus color]]></category>
		<category><![CDATA[Middle East]]></category>
		<category><![CDATA[Orientalism]]></category>
		<category><![CDATA[Romanticism]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=537</guid>
		<description><![CDATA[DELACROIX THE CONSERVATIVE The art of Eugene Delacroix was uniquely suited to his time. In an era of imperialism and colonialism through conquest, his exciting art captured the violence of a turbulent age. Like all artists of the Romantic era, Delacroix was fascinated by the mystery of the Middle East. Although much of the art [...]]]></description>
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		<title>The Definition of the Avant-Garde</title>
		<link>http://www.arthistoryunstuffed.com/definition-avant-garde/</link>
		<comments>http://www.arthistoryunstuffed.com/definition-avant-garde/#comments</comments>
		<pubDate>Fri, 22 Jan 2010 16:00:52 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Culture]]></category>
		<category><![CDATA[avant-garde]]></category>
		<category><![CDATA[Emmanuel Kant]]></category>
		<category><![CDATA[Eugene Delacroix]]></category>
		<category><![CDATA[Jean-Antoine Gros]]></category>
		<category><![CDATA[Peter Burger]]></category>
		<category><![CDATA[Pierre Bourdieu]]></category>
		<category><![CDATA[Theodore Gericault]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=155</guid>
		<description><![CDATA[The Definition of the Avant-Garde In his book, The Theory of the Avant-Garde, Peter Burger stressed the historical basis of the avant-garde.  The rise of the avant-garde was directly linked to the rise of the middle class.  The main role of the avant-garde is the critique of the middle class by detaching it self from [...]]]></description>
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		<title>French Romanticism and the Avant-Garde</title>
		<link>http://www.arthistoryunstuffed.com/french-romanticism-avant-garde/</link>
		<comments>http://www.arthistoryunstuffed.com/french-romanticism-avant-garde/#comments</comments>
		<pubDate>Fri, 15 Jan 2010 16:00:11 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[" "One must be of one's own time."]]></category>
		<category><![CDATA["Shock the Middle Class]]></category>
		<category><![CDATA[avant-garde]]></category>
		<category><![CDATA[Classical Art]]></category>
		<category><![CDATA[Eugene Delacroix]]></category>
		<category><![CDATA[French Academy]]></category>
		<category><![CDATA[George Sand]]></category>
		<category><![CDATA[la boheme]]></category>
		<category><![CDATA[Pierre Bourdieu]]></category>
		<category><![CDATA[Renato Poggioli]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[Salon]]></category>
		<category><![CDATA[Second Empire]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=152</guid>
		<description><![CDATA[French Romanticism and the Avant-Garde The term &#8220;avant-garde&#8221; is a military one, borrowed from the French phrase, denoting the advance body of the army.  This small group of soldiers goes out in advance of the main group to scout the territory beyond with the aim of reporting back as to the conditions awaiting the other [...]]]></description>
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		<title>French Romanticism: Subject Matter and the Artist</title>
		<link>http://www.arthistoryunstuffed.com/french-romanticism-subject-matter-artist/</link>
		<comments>http://www.arthistoryunstuffed.com/french-romanticism-subject-matter-artist/#comments</comments>
		<pubDate>Fri, 08 Jan 2010 16:00:17 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[art-for-art's sake]]></category>
		<category><![CDATA[avant-garde]]></category>
		<category><![CDATA[Barbizon Artists]]></category>
		<category><![CDATA[Eugene Delacroix]]></category>
		<category><![CDATA[Girodet]]></category>
		<category><![CDATA[Jean-Antoine Gros]]></category>
		<category><![CDATA[Jean-August Dominique Ingres]]></category>
		<category><![CDATA[landscape painting]]></category>
		<category><![CDATA[middle class art audience]]></category>
		<category><![CDATA[Orientalism]]></category>
		<category><![CDATA[Romantic genius]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[Salon]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=147</guid>
		<description><![CDATA[French Romanticism:  Subject Matter and the Artist The Romantic was Janus-faced, facing the present and commenting upon it while turning away for current events in order to yield to the lure of fantasy, legend, myth, and exoticism.  On one hand, Jean-Antoine Gros called attention to the human costs of Napoléon’s brutal wars in Napléon at [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Podcast 8 Formalism and Romanticism</title>
		<link>http://www.arthistoryunstuffed.com/podcast-8-formalism-and-romanticism/</link>
		<comments>http://www.arthistoryunstuffed.com/podcast-8-formalism-and-romanticism/#comments</comments>
		<pubDate>Fri, 27 Nov 2009 16:00:52 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Aesthetics]]></category>
		<category><![CDATA[academic art]]></category>
		<category><![CDATA[Art Historical Methodolgy]]></category>
		<category><![CDATA[avant-garde]]></category>
		<category><![CDATA[Evolution of Modernism]]></category>
		<category><![CDATA[formalism]]></category>
		<category><![CDATA[Heinrich Wolfflin]]></category>
		<category><![CDATA[New Art History]]></category>
		<category><![CDATA[Romanticism]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=505</guid>
		<description><![CDATA[ROMANTICISM AND FORMALIST METHODOLOGY This podcast delineates the connections between the art historical methodology of Formalism, as developed by Heinrich Wolfflin, and the concept of Romanticism. Romanticism was  the movement in which the concepts of painting changed from &#8220;academic&#8221; to &#8220;modern.&#8221;   Until New Art History reintroduced the importance of context, the approach of &#8220;art history [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Podcast 7 The Academy and the Avant-Garde</title>
		<link>http://www.arthistoryunstuffed.com/podcast-7-the-academy-and-the-avant-garde/</link>
		<comments>http://www.arthistoryunstuffed.com/podcast-7-the-academy-and-the-avant-garde/#comments</comments>
		<pubDate>Fri, 13 Nov 2009 16:00:33 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[academic art]]></category>
		<category><![CDATA[Antonio Canova]]></category>
		<category><![CDATA[art-for-art's sake]]></category>
		<category><![CDATA[avant-garde]]></category>
		<category><![CDATA[Beaux-Arts]]></category>
		<category><![CDATA[Ecole des Beaux-Arts]]></category>
		<category><![CDATA[Francois Rude]]></category>
		<category><![CDATA[French Academy]]></category>
		<category><![CDATA[Horatio Greenough]]></category>
		<category><![CDATA[Peter Burger]]></category>
		<category><![CDATA[Pre-Raphaelite Brotherhood]]></category>
		<category><![CDATA[Renato Poggioli]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[Royal Academy]]></category>
		<category><![CDATA[Salon Exhibition]]></category>

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		<description><![CDATA[THE ACADEMY AND THE AVANT-GARDE IN FRANCE The artists of the French Academy and the artists of the French Avant-garde are often presented as being protagonists, but, in fact, each group defined itself in terms of the other.  The French Academy was the bastion of the establishment, of rules and regulations and of order.  The [...]]]></description>
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		<slash:comments>0</slash:comments>
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