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	<title>Art History Unstuffed &#187; David Hume</title>
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	<itunes:author>Art History Unstuffed</itunes:author>
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		<title>Impressionism and Technique</title>
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		<pubDate>Fri, 15 Oct 2010 16:00:33 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Claude Monet]]></category>
		<category><![CDATA[David Hume]]></category>
		<category><![CDATA[Impression]]></category>
		<category><![CDATA[Impressionism]]></category>
		<category><![CDATA[John Ruskin]]></category>
		<category><![CDATA[Jules Castagnary]]></category>
		<category><![CDATA[La Grenouillère]]></category>
		<category><![CDATA[Paul Cezanne]]></category>
		<category><![CDATA[Pre-Raphaelites]]></category>

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		<description><![CDATA[HOW THE IMPRESSIONISTS PAINTED The concept of the &#8220;impression&#8221; is central to Impressionist practice. As early as 1742, the British philosopher, David Hume, distinguished between &#8220;impressions&#8221; and &#8220;ideas:&#8221; &#8220;..lively perceptions, when we hear, or see, or feel, or love or hate, desire or will…impressions distinguished from ideas, which are less lively perceptions of which we [...]]]></description>
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		<title>Georg Wilhelm Friedrich Hegel</title>
		<link>http://www.arthistoryunstuffed.com/georg-wilhelm-friedrich-hegel/</link>
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		<pubDate>Fri, 02 Apr 2010 16:00:28 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Philosophy]]></category>
		<category><![CDATA[David Hume]]></category>
		<category><![CDATA[Emmanuel Kant]]></category>
		<category><![CDATA[G. W. F. Hegel]]></category>
		<category><![CDATA[Logic]]></category>
		<category><![CDATA[The Phenomenology of the Spirit]]></category>

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		<description><![CDATA[Georg Wilhelm Friedrich Hegel (1770 – 1831) It has been said that all philosophy is simply a series of footnotes on the ideas of Plato and Aristotle.  It can also be said that all modern philosophy is a series of footnotes no the work of Emmanuel Kant.  Writing in the early Nineteen Century, G. W. [...]]]></description>
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		<title>Kant and Reason</title>
		<link>http://www.arthistoryunstuffed.com/kant-reason/</link>
		<comments>http://www.arthistoryunstuffed.com/kant-reason/#comments</comments>
		<pubDate>Fri, 05 Feb 2010 16:00:14 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Philosophy]]></category>
		<category><![CDATA[analytic and synthetic judgments]]></category>
		<category><![CDATA[Copernican Revolution]]></category>
		<category><![CDATA[Critique of Pure Reason]]></category>
		<category><![CDATA[David Hume]]></category>
		<category><![CDATA[Emmanuel Kant]]></category>

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		<description><![CDATA[Kant and Reason The Eighteenth Century British philosopher, David Hume, suggested that we believed that there is a connection between cause and effect.  For example. fire causes flame and results in an effect of smoke.  Were it not for this belief system, we would be surprised every time we lit a match, saw fire, and [...]]]></description>
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		<title>Kant and the Critique of Philosophy</title>
		<link>http://www.arthistoryunstuffed.com/kant-critique-philosophy/</link>
		<comments>http://www.arthistoryunstuffed.com/kant-critique-philosophy/#comments</comments>
		<pubDate>Fri, 29 Jan 2010 16:00:55 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Philosophy]]></category>
		<category><![CDATA[critique]]></category>
		<category><![CDATA[Critique of Judgment]]></category>
		<category><![CDATA[Critique of Pure Reason]]></category>
		<category><![CDATA[David Hume]]></category>
		<category><![CDATA[Emmanuel Kant]]></category>
		<category><![CDATA[Enlightenment philosophy]]></category>

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		<description><![CDATA[Kant and the Critique of Philosophy This concept of critique was central to post-Enlightenment philosophy, coming from the Greek word &#8220;krinein”, meaning to &#8220;separate&#8221; or to &#8220;discern”, which is the origin of the word crisis.  Whereas the Greeks took the concept of critique and applied it to texts, Kant used &#8220;critique&#8221; to re-conceptualize Western philosophy [...]]]></description>
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		<title>The Enlightenment: Introduction</title>
		<link>http://www.arthistoryunstuffed.com/enlightenment/</link>
		<comments>http://www.arthistoryunstuffed.com/enlightenment/#comments</comments>
		<pubDate>Fri, 11 Sep 2009 16:00:54 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Culture]]></category>
		<category><![CDATA[aesthetics]]></category>
		<category><![CDATA[artistic freedom]]></category>
		<category><![CDATA[David Hume]]></category>
		<category><![CDATA[divine right to rule]]></category>
		<category><![CDATA[Emmanuel Kant]]></category>
		<category><![CDATA[Enlightenment]]></category>
		<category><![CDATA[Jean-Jacques Rousseau]]></category>
		<category><![CDATA[middle-class]]></category>
		<category><![CDATA[natural rights]]></category>
		<category><![CDATA[proletariat]]></category>
		<category><![CDATA[The American Revolution]]></category>
		<category><![CDATA[The French Revolution]]></category>
		<category><![CDATA[Thomas Jefferson]]></category>

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		<description><![CDATA[The Enlightenment: Introduction Like any great cultural change, the Enlightenment was long in gestation.  By the Eighteenth Century, a critical mass of philosophical thinking and social custom had emerged, and, with it, certain famous intellectual heroes.  The Enlightenment can be understood precisely in terms of its entomology&#8211;that which sheds light: light into the darkness of [...]]]></description>
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