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	<title>Art History Unstuffed &#187; Ecole des Beaux-Arts</title>
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	<itunes:author>Art History Unstuffed</itunes:author>
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		<title>The Artistic Revolution in France</title>
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		<pubDate>Fri, 11 Dec 2009 16:00:40 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Ecole des Beaux-Arts]]></category>
		<category><![CDATA[French Academy]]></category>
		<category><![CDATA[Gericault]]></category>
		<category><![CDATA[Girodet]]></category>
		<category><![CDATA[history painting]]></category>
		<category><![CDATA[Jacques Louis David]]></category>
		<category><![CDATA[Jean-Antoine Gros]]></category>
		<category><![CDATA[Neoclassicism]]></category>
		<category><![CDATA[Romanticism]]></category>
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		<description><![CDATA[The Artistic Revolution in France Two social events would impact artists and art, especially in France.  The first event was the French Revolution, which forced artists to choose between King and Country and eliminated the traditional patrons, the Church and the aristocrats.  The second event was a long, ongoing process: the rise of the middle [...]]]></description>
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		<title>The French Academy</title>
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		<pubDate>Fri, 04 Dec 2009 16:00:17 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
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		<description><![CDATA[The French Academy The French Academy was established in 1648 for the purpose of controlling art in France and included a network of provincial schools in Rouen, Marseilles, Dijon, and Tours.  Art was intended to extend the nation&#8217;s prestige beyond politics and military glory and was intended to establish a hegemony in the arts and [...]]]></description>
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		<title>Podcast 7 The Academy and the Avant-Garde</title>
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		<pubDate>Fri, 13 Nov 2009 16:00:33 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[academic art]]></category>
		<category><![CDATA[Antonio Canova]]></category>
		<category><![CDATA[art-for-art's sake]]></category>
		<category><![CDATA[avant-garde]]></category>
		<category><![CDATA[Beaux-Arts]]></category>
		<category><![CDATA[Ecole des Beaux-Arts]]></category>
		<category><![CDATA[Francois Rude]]></category>
		<category><![CDATA[French Academy]]></category>
		<category><![CDATA[Horatio Greenough]]></category>
		<category><![CDATA[Peter Burger]]></category>
		<category><![CDATA[Pre-Raphaelite Brotherhood]]></category>
		<category><![CDATA[Renato Poggioli]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[Royal Academy]]></category>
		<category><![CDATA[Salon Exhibition]]></category>

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		<description><![CDATA[THE ACADEMY AND THE AVANT-GARDE IN FRANCE The artists of the French Academy and the artists of the French Avant-garde are often presented as being protagonists, but, in fact, each group defined itself in terms of the other.  The French Academy was the bastion of the establishment, of rules and regulations and of order.  The [...]]]></description>
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