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	<title>Art History Unstuffed &#187; Emmanuel Kant</title>
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	<itunes:summary>Art/History/Criticism/Theory</itunes:summary>
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	<itunes:author>Art History Unstuffed</itunes:author>
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		<title>Podcast 41  Painting 7: Clement Greenberg</title>
		<link>http://www.arthistoryunstuffed.com/podcast-41-painting-7-clement-greenberg/</link>
		<comments>http://www.arthistoryunstuffed.com/podcast-41-painting-7-clement-greenberg/#comments</comments>
		<pubDate>Fri, 18 Feb 2011 16:00:52 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art Podcasts]]></category>
		<category><![CDATA["deductive painting." Frank Stella's Black Paintings]]></category>
		<category><![CDATA["Modernist Painting]]></category>
		<category><![CDATA["push-pull]]></category>
		<category><![CDATA[Ad Reinhardt]]></category>
		<category><![CDATA[Alfred Barr]]></category>
		<category><![CDATA[Avant-Garde and Kitsch]]></category>
		<category><![CDATA[Clement Greenberg]]></category>
		<category><![CDATA[Denis Diderot]]></category>
		<category><![CDATA[Emmanuel Kant]]></category>
		<category><![CDATA[Frank Stella]]></category>
		<category><![CDATA[Georg Hegel]]></category>
		<category><![CDATA[Grant Wood]]></category>
		<category><![CDATA[Hans Hofmann]]></category>
		<category><![CDATA[Jackson Pollock]]></category>
		<category><![CDATA[Michael Fried]]></category>
		<category><![CDATA[Norman Rockwell]]></category>
		<category><![CDATA[Thomas Hart Benton]]></category>
		<category><![CDATA[Walter Benjamin]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=912</guid>
		<description><![CDATA[Clement Greenberg and Modernist Aesthetics Clement Greenberg was a rare character in history: the right person in the right place at the right time, writing the right things to the right people.  A New York intellectual and art critic, Greenberg was uniquely positioned to be &#8220;present at the creation&#8221; of The New York School during [...]]]></description>
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		<title>Podcast 34 Whistler, Part Three</title>
		<link>http://www.arthistoryunstuffed.com/podcast-34-whistler-part-three/</link>
		<comments>http://www.arthistoryunstuffed.com/podcast-34-whistler-part-three/#comments</comments>
		<pubDate>Fri, 05 Nov 2010 16:00:08 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art Podcasts]]></category>
		<category><![CDATA["]]></category>
		<category><![CDATA[" David Park Curry]]></category>
		<category><![CDATA[" Queen Anne Architecture]]></category>
		<category><![CDATA[" William Frith]]></category>
		<category><![CDATA["House Beautiful]]></category>
		<category><![CDATA["Ornament and Crime]]></category>
		<category><![CDATA["The Ruskin Pamphlet: Whistler vs. Ruskin]]></category>
		<category><![CDATA[Adolph Loos]]></category>
		<category><![CDATA[Art and Art Critics]]></category>
		<category><![CDATA[art-for-art's sake]]></category>
		<category><![CDATA[Charles Baudelaire]]></category>
		<category><![CDATA[Claude Monet]]></category>
		<category><![CDATA[E. W. Godwin]]></category>
		<category><![CDATA[Emmanuel Kant]]></category>
		<category><![CDATA[Exposition Universalle]]></category>
		<category><![CDATA[Grosvenor Gallery]]></category>
		<category><![CDATA[James Abbott McNeill Whistler]]></category>
		<category><![CDATA[John Ruskin]]></category>
		<category><![CDATA[Nocturnes]]></category>
		<category><![CDATA[Oscar Wilde]]></category>
		<category><![CDATA[Sir Coutts Lindsay]]></category>
		<category><![CDATA[Stéphane Mallarmé]]></category>
		<category><![CDATA[Synaesthesia]]></category>
		<category><![CDATA[Ten O'Clock Lecture]]></category>
		<category><![CDATA[Théophile Gaultier]]></category>
		<category><![CDATA[The Butterfly Cabinet]]></category>
		<category><![CDATA[The Peacock Room]]></category>
		<category><![CDATA[Weissenhofseidlung]]></category>
		<category><![CDATA[Whistler's White House]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=889</guid>
		<description><![CDATA[Whistler and Art-for-Art&#8217;s-Sake Whistler was unusual among artists of his time in that he answered back to critics and took pains to establish his own discourse on his own art.  Fiercely independent and willing to lose a patron for the sake of his artistic vision, the artist sued when the aging British critic, John Ruskin, [...]]]></description>
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		<title>Hegel and His Impact on Art and Aesthetics</title>
		<link>http://www.arthistoryunstuffed.com/hegel-impact-on-art-aesthetics/</link>
		<comments>http://www.arthistoryunstuffed.com/hegel-impact-on-art-aesthetics/#comments</comments>
		<pubDate>Fri, 23 Apr 2010 16:00:36 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Philosophy]]></category>
		<category><![CDATA[antithesis]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Beauty]]></category>
		<category><![CDATA[Clement Greenberg]]></category>
		<category><![CDATA[Emmanuel Kant]]></category>
		<category><![CDATA[Freedom]]></category>
		<category><![CDATA[G. W. F. Hegel]]></category>
		<category><![CDATA[Heinrich Wolfflin]]></category>
		<category><![CDATA[Johann Gottleib Fichte]]></category>
		<category><![CDATA[Nature]]></category>
		<category><![CDATA[One and the Other]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[synthesis]]></category>
		<category><![CDATA[Thesis]]></category>
		<category><![CDATA[Triad]]></category>
		<category><![CDATA[Truth]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=247</guid>
		<description><![CDATA[Hegel and his Impact on Art and Aesthetics Like any aesthetician, G. W. F. Hegel does not get involved in any particular movement or style or work of art, but, that said, he was very definite about the kind of art where Beauty could be found.  Like Emmanuel Kant, Hegel brings art and freedom together [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Georg Wilhelm Friedrich Hegel</title>
		<link>http://www.arthistoryunstuffed.com/georg-wilhelm-friedrich-hegel/</link>
		<comments>http://www.arthistoryunstuffed.com/georg-wilhelm-friedrich-hegel/#comments</comments>
		<pubDate>Fri, 02 Apr 2010 16:00:28 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Philosophy]]></category>
		<category><![CDATA[David Hume]]></category>
		<category><![CDATA[Emmanuel Kant]]></category>
		<category><![CDATA[G. W. F. Hegel]]></category>
		<category><![CDATA[Logic]]></category>
		<category><![CDATA[The Phenomenology of the Spirit]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=231</guid>
		<description><![CDATA[Georg Wilhelm Friedrich Hegel (1770 – 1831) It has been said that all philosophy is simply a series of footnotes on the ideas of Plato and Aristotle.  It can also be said that all modern philosophy is a series of footnotes no the work of Emmanuel Kant.  Writing in the early Nineteen Century, G. W. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Friedrich Schiller</title>
		<link>http://www.arthistoryunstuffed.com/friedrich-schiller/</link>
		<comments>http://www.arthistoryunstuffed.com/friedrich-schiller/#comments</comments>
		<pubDate>Fri, 19 Mar 2010 16:00:15 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Aesthetics]]></category>
		<category><![CDATA["On the Aesthetic Education of Man]]></category>
		<category><![CDATA[A. G. Baumgarten]]></category>
		<category><![CDATA[aesthetics]]></category>
		<category><![CDATA[Emmanuel Kant]]></category>
		<category><![CDATA[Friedrich Schiller]]></category>
		<category><![CDATA[naive and sentimental poetry]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[Wolfgang von Goethe]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=192</guid>
		<description><![CDATA[Friedrich Schiller (1759 – 1805) “Art” and what the term means and how the object is apprehended and the discourse that surrounds its objects emanates out of aesthetics, which is a branch of philosophy.  The discourse about art, art criticism, art history, and art theory all are variations on philosophy.  Kant’s use of aesthetics was [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Kant, the Artist, and Artistic Freedom</title>
		<link>http://www.arthistoryunstuffed.com/kant-artist-artistic-freedom/</link>
		<comments>http://www.arthistoryunstuffed.com/kant-artist-artistic-freedom/#comments</comments>
		<pubDate>Fri, 12 Mar 2010 16:00:30 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Aesthetics]]></category>
		<category><![CDATA[artistic freedom]]></category>
		<category><![CDATA[Critique of Judgment]]></category>
		<category><![CDATA[Emmanuel Kant]]></category>
		<category><![CDATA[genius]]></category>
		<category><![CDATA[progress in art]]></category>
		<category><![CDATA[Romanticism]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=188</guid>
		<description><![CDATA[Kant,  the Artist and Artistic Freedom The modern artist of the Nineteenth Century faced an aesthetic landscape that was quite different compared to that of the previous century.  The definition of “art” in the Eighteenth Century was that, which was sanctioned by the Church, the State or the aristocracy.  The definition of the “artist” in [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Kant and Art for Art&#8217;s Sake</title>
		<link>http://www.arthistoryunstuffed.com/kant-art-for-arts-sake/</link>
		<comments>http://www.arthistoryunstuffed.com/kant-art-for-arts-sake/#comments</comments>
		<pubDate>Fri, 05 Mar 2010 16:00:43 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Aesthetics]]></category>
		<category><![CDATA[aesthetics]]></category>
		<category><![CDATA[art-for-art's sake]]></category>
		<category><![CDATA[Benjamin Constant]]></category>
		<category><![CDATA[Critique of Judgment]]></category>
		<category><![CDATA[Emmanuel Kant]]></category>
		<category><![CDATA[formalism]]></category>
		<category><![CDATA[Romanticism]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=184</guid>
		<description><![CDATA[Kant and “Art for Art&#8217;s Sake” The beautiful, for Kant, is &#8220;that which without any concept is cognitized as the object of necessary satisfaction.”  The status of aesthetic judgment is not empirical but logical, based upon the powers of human reason and rationality, which excludes internal and external purposiveness.  Kant introduces purposiveness without a purpose, [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Kant and the Critique of Judgment</title>
		<link>http://www.arthistoryunstuffed.com/kant-critique-judgment/</link>
		<comments>http://www.arthistoryunstuffed.com/kant-critique-judgment/#comments</comments>
		<pubDate>Fri, 26 Feb 2010 16:00:48 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Aesthetics]]></category>
		<category><![CDATA[Ancients and Moderns]]></category>
		<category><![CDATA[Emmanuel Kant]]></category>
		<category><![CDATA[Free and Dependent Beauty]]></category>
		<category><![CDATA[Johann Winckelmann]]></category>
		<category><![CDATA[Quatremère de Quincy]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=178</guid>
		<description><![CDATA[Kant’s System of Judgment Art and beauty were considered synonymous.  During Kant&#8217;s time, the criteria for the &#8220;beautiful&#8221; was a simple&#8212;and specific one&#8212;based upon and derived from the supposed Greek ideal of nature perfected.  Art theorists of the Eighteenth Century believed that the ancient Greek artists had started from nature and perfected its imperfections, creating, [...]]]></description>
		<wfw:commentRss>http://www.arthistoryunstuffed.com/kant-critique-judgment/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Kant and Aesthetic Theory</title>
		<link>http://www.arthistoryunstuffed.com/kant-aesthetic-theory/</link>
		<comments>http://www.arthistoryunstuffed.com/kant-aesthetic-theory/#comments</comments>
		<pubDate>Fri, 19 Feb 2010 16:00:36 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Aesthetics]]></category>
		<category><![CDATA[A. G. Baumgarten]]></category>
		<category><![CDATA[aesthetics]]></category>
		<category><![CDATA[Critique of Judgment]]></category>
		<category><![CDATA[Emmanuel Kant]]></category>
		<category><![CDATA[Friedrich Schiller]]></category>
		<category><![CDATA[Romanticism]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=173</guid>
		<description><![CDATA[Kant and Aesthetic Theory &#160; While Kant was writing the Critique of Judgment, 1790, the answer of the role of the artist in society was increasingly unclear, and the social and cultural situation was increasingly unstable.  The artist was looking at an abyss, gazing into the unknown of a new era, when Kant solved the [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Kant and Aesthetics</title>
		<link>http://www.arthistoryunstuffed.com/kant-aesthetics/</link>
		<comments>http://www.arthistoryunstuffed.com/kant-aesthetics/#comments</comments>
		<pubDate>Fri, 12 Feb 2010 16:00:48 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Aesthetics]]></category>
		<category><![CDATA[aesthetics]]></category>
		<category><![CDATA[Critique of Judgment]]></category>
		<category><![CDATA[Emmanuel Kant]]></category>
		<category><![CDATA[the Enlightenment]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=169</guid>
		<description><![CDATA[Kant and Aesthetics France became the titular home of the Enlightenment because of the necessity of opposing the decadence of the ancien régime, but it must be recalled that there were numerous important philosophers in England as well—the Earl of Shaftesbury, John Locke, David Hume&#8211;who were operating in a more &#8220;enlightened&#8221; society where royal power [...]]]></description>
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