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	<title>Art History Unstuffed &#187; fetish</title>
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		<title>The Surrealist Object</title>
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		<pubDate>Fri, 08 Jul 2011 16:00:57 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[" André Breton]]></category>
		<category><![CDATA[" estrangement]]></category>
		<category><![CDATA["The Crisis of the Object]]></category>
		<category><![CDATA[Alberto Giacometti]]></category>
		<category><![CDATA[Benjamin Peret]]></category>
		<category><![CDATA[fetish]]></category>
		<category><![CDATA[Galerie Charles Ratton]]></category>
		<category><![CDATA[Joan Miró]]></category>
		<category><![CDATA[Karl Marx]]></category>
		<category><![CDATA[La Revolution Surrealiste]]></category>
		<category><![CDATA[Le Surrealism et la peinture in 1926]]></category>
		<category><![CDATA[Man Ray]]></category>
		<category><![CDATA[Marcel Duchamp]]></category>
		<category><![CDATA[Max Ernst]]></category>
		<category><![CDATA[Meret Oppenheim]]></category>
		<category><![CDATA[Nadja]]></category>
		<category><![CDATA[Pierre Naville]]></category>
		<category><![CDATA[Readymades]]></category>
		<category><![CDATA[Sigmund Freud]]></category>
		<category><![CDATA[Surrealist Object]]></category>
		<category><![CDATA[Symptom]]></category>
		<category><![CDATA[urrealist Manifesto in 1924]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=1229</guid>
		<description><![CDATA[SURREALISM AND ITS OBJECTS ART BECOMES FETISH Surrealism was initially practiced in written form as textual production, as a means of freeing the literary mind from “writerly” conventions.  Just as Sigmund Freud took dictation, so to speak, writing down what his patients told him, the Surrealists would write down the contents of their minds.  If [...]]]></description>
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		<title>Marxism, Art and the Artist</title>
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		<pubDate>Fri, 11 Jun 2010 16:00:05 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA["natural" and "cultural"]]></category>
		<category><![CDATA[art as fetish]]></category>
		<category><![CDATA[Auguste Comte]]></category>
		<category><![CDATA[Avant-Garde and Kitsch]]></category>
		<category><![CDATA[bourgeoisie]]></category>
		<category><![CDATA[capitalism]]></category>
		<category><![CDATA[Clement Greenberg]]></category>
		<category><![CDATA[commodity]]></category>
		<category><![CDATA[fetish]]></category>
		<category><![CDATA[Friedrich Engels]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Karl Marx]]></category>
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		<category><![CDATA[Realism]]></category>
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		<description><![CDATA[Marxism, Art and the Artist In his anthology, Marxism and Art, Maynard Solomon recounted that although both Karl Marx and Friedrich Engels were interested in the literary arts early in their respective careers, they both were distracted by philosophy.  As a result, “There is no ‘original’ Marxist aesthetics for later Marxists to apply.  The history [...]]]></description>
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