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	<title>Art History Unstuffed &#187; formalism</title>
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	<itunes:author>Art History Unstuffed</itunes:author>
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		<title>Podcast 36 Painting 2: Manet to Post-Impressionism</title>
		<link>http://www.arthistoryunstuffed.com/podcast-36-painting-2-manet-to-post-impressionism/</link>
		<comments>http://www.arthistoryunstuffed.com/podcast-36-painting-2-manet-to-post-impressionism/#comments</comments>
		<pubDate>Fri, 03 Dec 2010 16:00:21 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art Podcasts]]></category>
		<category><![CDATA[" Dutch Republcan Art]]></category>
		<category><![CDATA["Authenticity"]]></category>
		<category><![CDATA["Finish"]]></category>
		<category><![CDATA["Sketch"]]></category>
		<category><![CDATA["the heroism of modern life]]></category>
		<category><![CDATA[Charles Baudelaire]]></category>
		<category><![CDATA[Charles Freer]]></category>
		<category><![CDATA[Claude Monet]]></category>
		<category><![CDATA[Clement Greenberg]]></category>
		<category><![CDATA[Cubism]]></category>
		<category><![CDATA[Duncan Philips]]></category>
		<category><![CDATA[Dutch Art]]></category>
		<category><![CDATA[Dutch Masters]]></category>
		<category><![CDATA[E. H. Gombrich]]></category>
		<category><![CDATA[Edouard Manet]]></category>
		<category><![CDATA[Emile Bernard]]></category>
		<category><![CDATA[Fauvism]]></category>
		<category><![CDATA[formalism]]></category>
		<category><![CDATA[Frederick Leyland]]></category>
		<category><![CDATA[Georges Seurat]]></category>
		<category><![CDATA[Gerhrd Dou]]></category>
		<category><![CDATA[Gustave Courbet]]></category>
		<category><![CDATA[Henri Matisse]]></category>
		<category><![CDATA[Henri Toulouse-Lautrec]]></category>
		<category><![CDATA[Henrich Wölfflin]]></category>
		<category><![CDATA[Impression]]></category>
		<category><![CDATA[Impressionism]]></category>
		<category><![CDATA[James Tissot]]></category>
		<category><![CDATA[James Whistler]]></category>
		<category><![CDATA[Jan Steen]]></category>
		<category><![CDATA[John Singer Sargent]]></category>
		<category><![CDATA[Middle Class Audience]]></category>
		<category><![CDATA[Paul Cezanne]]></category>
		<category><![CDATA[Paul Durand-Ruel]]></category>
		<category><![CDATA[Paul Gauguin]]></category>
		<category><![CDATA[Pierre Renoir]]></category>
		<category><![CDATA[Pieter de Hoch]]></category>
		<category><![CDATA[Salon d'automne]]></category>
		<category><![CDATA[Salon system]]></category>
		<category><![CDATA[T. J. Clark]]></category>
		<category><![CDATA[Théophile Gaultier]]></category>
		<category><![CDATA[The Blue Rider]]></category>
		<category><![CDATA[The Dutch Republic]]></category>
		<category><![CDATA[The New Art HIstory]]></category>
		<category><![CDATA[Vincent van Gogh]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=896</guid>
		<description><![CDATA[The Painters of Modern Life Although the Pre-Raphaelite artists initiated the artistic interest in contemporary urban life and the problems of modern people, the Parisian artists are given credit for learning how to express modernité in formal terms.  The French painters found the seventeenth century Dutch painters important precursors.  Inspired by the depiction of ordinary [...]]]></description>
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		<title>Kant and Art for Art&#8217;s Sake</title>
		<link>http://www.arthistoryunstuffed.com/kant-art-for-arts-sake/</link>
		<comments>http://www.arthistoryunstuffed.com/kant-art-for-arts-sake/#comments</comments>
		<pubDate>Fri, 05 Mar 2010 16:00:43 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Aesthetics]]></category>
		<category><![CDATA[aesthetics]]></category>
		<category><![CDATA[art-for-art's sake]]></category>
		<category><![CDATA[Benjamin Constant]]></category>
		<category><![CDATA[Critique of Judgment]]></category>
		<category><![CDATA[Emmanuel Kant]]></category>
		<category><![CDATA[formalism]]></category>
		<category><![CDATA[Romanticism]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=184</guid>
		<description><![CDATA[Kant and “Art for Art&#8217;s Sake” The beautiful, for Kant, is &#8220;that which without any concept is cognitized as the object of necessary satisfaction.”  The status of aesthetic judgment is not empirical but logical, based upon the powers of human reason and rationality, which excludes internal and external purposiveness.  Kant introduces purposiveness without a purpose, [...]]]></description>
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		<title>Podcast 8 Formalism and Romanticism</title>
		<link>http://www.arthistoryunstuffed.com/podcast-8-formalism-and-romanticism/</link>
		<comments>http://www.arthistoryunstuffed.com/podcast-8-formalism-and-romanticism/#comments</comments>
		<pubDate>Fri, 27 Nov 2009 16:00:52 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Aesthetics]]></category>
		<category><![CDATA[academic art]]></category>
		<category><![CDATA[Art Historical Methodolgy]]></category>
		<category><![CDATA[avant-garde]]></category>
		<category><![CDATA[Evolution of Modernism]]></category>
		<category><![CDATA[formalism]]></category>
		<category><![CDATA[Heinrich Wolfflin]]></category>
		<category><![CDATA[New Art History]]></category>
		<category><![CDATA[Romanticism]]></category>

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		<description><![CDATA[ROMANTICISM AND FORMALIST METHODOLOGY This podcast delineates the connections between the art historical methodology of Formalism, as developed by Heinrich Wolfflin, and the concept of Romanticism. Romanticism was  the movement in which the concepts of painting changed from &#8220;academic&#8221; to &#8220;modern.&#8221;   Until New Art History reintroduced the importance of context, the approach of &#8220;art history [...]]]></description>
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