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	<title>Art History Unstuffed &#187; Free and Dependent Beauty</title>
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		<title>Kant and the Critique of Judgment</title>
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		<pubDate>Fri, 26 Feb 2010 16:00:48 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Aesthetics]]></category>
		<category><![CDATA[Ancients and Moderns]]></category>
		<category><![CDATA[Emmanuel Kant]]></category>
		<category><![CDATA[Free and Dependent Beauty]]></category>
		<category><![CDATA[Johann Winckelmann]]></category>
		<category><![CDATA[Quatremère de Quincy]]></category>

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		<description><![CDATA[Kant’s System of Judgment Art and beauty were considered synonymous.  During Kant&#8217;s time, the criteria for the &#8220;beautiful&#8221; was a simple&#8212;and specific one&#8212;based upon and derived from the supposed Greek ideal of nature perfected.  Art theorists of the Eighteenth Century believed that the ancient Greek artists had started from nature and perfected its imperfections, creating, [...]]]></description>
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