ERWIN PANOFSKY (1892-1968) Part Two: The System of Meaning: Art History as Symbolic Form Like the anthropologist, Claude Lévi-Strauss, Erwin Panofsky considered social acts to be not natural but linguistic forms, which are cultural, and thus subject to human...
Trauerspielbuch (The Origin of German Tragic Drama), 1925 by Walter Benjamin Walter Benjamin’s Ursprung des deutschenTrauerspiels utilized a thought floated by Marx, that all art would become “allegorical” as a result of commodification and of its transformation into...
GEORG WILHELM FRIEDRICH HEGEL (1770-1831) Hegel and his Impact on Art and Aesthetics Like any aesthetician, G. W. F. Hegel does not get involved in any particular movement or style or work of art, but, that said, he was very definite about the kind of art where Beauty...
GEORG WILHELM FRIEDRICH HEGEL (1770-1831) ART AND DIALECTICS When one thinks of Hegelian aesthetics, it is most often in relation to the art historians who were impacted by his philosophy and his central concept of the dialectic, or a method of thinking in terms of...
ROMANTICISM AND CHANGING METHODOLOGIES IN ART HISTORY What is the impact of methodologies of art history upon the recounting of the history of art? A methodology is a way of telling or constructing the past. This act of re-construction is, in fact, as Hayden White...