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	<title>Art History Unstuffed &#187; Horatio Greenough</title>
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		<title>Podcast 7 The Academy and the Avant-Garde</title>
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		<pubDate>Fri, 13 Nov 2009 16:00:33 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[academic art]]></category>
		<category><![CDATA[Antonio Canova]]></category>
		<category><![CDATA[art-for-art's sake]]></category>
		<category><![CDATA[avant-garde]]></category>
		<category><![CDATA[Beaux-Arts]]></category>
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		<category><![CDATA[Francois Rude]]></category>
		<category><![CDATA[French Academy]]></category>
		<category><![CDATA[Horatio Greenough]]></category>
		<category><![CDATA[Peter Burger]]></category>
		<category><![CDATA[Pre-Raphaelite Brotherhood]]></category>
		<category><![CDATA[Renato Poggioli]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[Royal Academy]]></category>
		<category><![CDATA[Salon Exhibition]]></category>

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		<description><![CDATA[THE ACADEMY AND THE AVANT-GARDE IN FRANCE The artists of the French Academy and the artists of the French Avant-garde are often presented as being protagonists, but, in fact, each group defined itself in terms of the other.  The French Academy was the bastion of the establishment, of rules and regulations and of order.  The [...]]]></description>
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