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	<title>Art History Unstuffed &#187; Industrial Revolution</title>
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		<title>Charles Baudelaire, Author of Modernism</title>
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		<pubDate>Fri, 20 Aug 2010 16:00:45 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art Criticism]]></category>
		<category><![CDATA["heroism of modern life]]></category>
		<category><![CDATA["the Tradition of the New"]]></category>
		<category><![CDATA[Charles Baudelaire]]></category>
		<category><![CDATA[Constantin Guys]]></category>
		<category><![CDATA[dandy]]></category>
		<category><![CDATA[flâneur]]></category>
		<category><![CDATA[Gustave Courbet]]></category>
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		<category><![CDATA[Industrial Revolution]]></category>
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		<category><![CDATA[Jean-Paul Sartre]]></category>
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		<category><![CDATA[modernité]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Realism]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[Second Empire]]></category>
		<category><![CDATA[the Capital of the Nineteenth century]]></category>
		<category><![CDATA[The Painter of Modern LIfe]]></category>
		<category><![CDATA[Walter Benjamin]]></category>

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		<description><![CDATA[BAUDELAIRE AND MODERNITY Every age needs its observer and every era requires an interpreter.  That individual has to be an odd cross between a poet and a reporter, to elevate the culture above mere description.  Charles Baudelaire (1821 &#8211; 1867) was a renegade poet, a syphilitic art critic, and above all a disaffected and alienated [...]]]></description>
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		<title>Early Nineteeth Century Utopian Philosophy</title>
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		<pubDate>Fri, 30 Apr 2010 16:00:44 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Philosophy]]></category>
		<category><![CDATA[Charles Fourier]]></category>
		<category><![CDATA[Claude-Henri de Saint-Simon]]></category>
		<category><![CDATA[Industrial Revolution]]></category>
		<category><![CDATA[Jeremy Bentham]]></category>
		<category><![CDATA[panoptican]]></category>
		<category><![CDATA[Robert Owen]]></category>
		<category><![CDATA[Socialism]]></category>
		<category><![CDATA[Utopia]]></category>

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		<description><![CDATA[Early Nineteenth Century Utopian Philosophy The largest issue of the second half of the Nineteenth Century was the containment of people.  The problem of how to control a growing population in  Europe and an alien population in colonized lands occupied the century’s philosophical minds.  In contrast to the Enlightenment philosophers who wrote in abstract absolutes, [...]]]></description>
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		<title>Podcast 16 Romanticism in England, Part One</title>
		<link>http://www.arthistoryunstuffed.com/podcast-16-romanticism-in-england-part-one/</link>
		<comments>http://www.arthistoryunstuffed.com/podcast-16-romanticism-in-england-part-one/#comments</comments>
		<pubDate>Fri, 19 Mar 2010 16:00:14 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Aesthetics]]></category>
		<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Modern Art Podcasts]]></category>
		<category><![CDATA[" Jane Austen]]></category>
		<category><![CDATA[" The Enclosure Movement]]></category>
		<category><![CDATA["Mr. and Mrs. Robert Andrews]]></category>
		<category><![CDATA["Pride and Prejudice]]></category>
		<category><![CDATA[Ann Bermingham]]></category>
		<category><![CDATA[Industrial Revolution]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[The Reform Act of 1832]]></category>
		<category><![CDATA[Thomas Gainsborough]]></category>

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		<description><![CDATA[THE WRITING OF ENGLISH ROMANTICISM Like Neo-Classicism, Romanticism was an international movement, but, unlike the earlier movement, Romanticism differed from country to country. In England, Romanticism established an aesthetic that was reflective of national conditions. The British Romantic artists were closely aligned to the Romantic poets and a new group of philosophers and art writers [...]]]></description>
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		<title>The Industrial Revolution</title>
		<link>http://www.arthistoryunstuffed.com/industrial-revolution/</link>
		<comments>http://www.arthistoryunstuffed.com/industrial-revolution/#comments</comments>
		<pubDate>Fri, 06 Nov 2009 16:00:50 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Culture]]></category>
		<category><![CDATA[alienated]]></category>
		<category><![CDATA[Industrial Revolution]]></category>
		<category><![CDATA[Karl Marx]]></category>
		<category><![CDATA[labor]]></category>
		<category><![CDATA[optimism]]></category>
		<category><![CDATA[peasants]]></category>
		<category><![CDATA[progress]]></category>
		<category><![CDATA[proletariat]]></category>
		<category><![CDATA[surplus value]]></category>
		<category><![CDATA[technology]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=48</guid>
		<description><![CDATA[The Industrial Revolution For the artist of the modern period, the most essential problem was how to depict the modern: as a new style, as new content, as a new attitude?  Each generation would fine its own answer, only to have the next generation find this answer inadequate.  In the process of attempting to find [...]]]></description>
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		<title>What is &#8220;Modern?&#8221;</title>
		<link>http://www.arthistoryunstuffed.com/what-is-modern/</link>
		<comments>http://www.arthistoryunstuffed.com/what-is-modern/#comments</comments>
		<pubDate>Fri, 04 Sep 2009 16:00:05 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Culture]]></category>
		<category><![CDATA[Bernard Lewis]]></category>
		<category><![CDATA[Divine Right of Kings]]></category>
		<category><![CDATA[Industrial Revolution]]></category>
		<category><![CDATA[Jean-Jacques Rousseau]]></category>
		<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[natural rights]]></category>
		<category><![CDATA[social contract]]></category>

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		<description><![CDATA[What is &#8220;Modern?&#8221; “Modern” is essentially a Western concept, based upon cultural forces, specific to European countries and transplanted to their colonies.  As a small and compact continent, Europe was a site of circulation for new ideas and new ways of living in the world.  Other continents, such as Asia and Africa, were isolated and [...]]]></description>
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