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	<title>Art History Unstuffed &#187; Jean-August Dominique Ingres</title>
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	<itunes:summary>Art/History/Criticism/Theory</itunes:summary>
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	<itunes:author>Art History Unstuffed</itunes:author>
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		<title>Charles Baudelaire and Art Criticism</title>
		<link>http://www.arthistoryunstuffed.com/baudelaire-art-criticism/</link>
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		<pubDate>Fri, 13 Aug 2010 16:00:35 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art Criticism]]></category>
		<category><![CDATA["Realist Manifesto"]]></category>
		<category><![CDATA[Charles Baudelaire]]></category>
		<category><![CDATA[Edgar Allan Poe]]></category>
		<category><![CDATA[Edouard Manet]]></category>
		<category><![CDATA[Eugene Delacroix]]></category>
		<category><![CDATA[Exposition Universelle]]></category>
		<category><![CDATA[Friedrich Schiller]]></category>
		<category><![CDATA[Gustave Courbet]]></category>
		<category><![CDATA[Jean-August Dominique Ingres]]></category>
		<category><![CDATA[Jean-Paul Sartre]]></category>
		<category><![CDATA[Jonathan Culler]]></category>
		<category><![CDATA[la boheme]]></category>
		<category><![CDATA[Les Fleurs du Mal]]></category>
		<category><![CDATA[Paris Spleen]]></category>
		<category><![CDATA[Realism]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[Salon of 1845]]></category>
		<category><![CDATA[Salon of 1846]]></category>
		<category><![CDATA[Salon of 1859]]></category>
		<category><![CDATA[The Painter of Modern LIfe]]></category>

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		<description><![CDATA[BAUDELAIRE AS ART CRITIC “We are going to be impartial.  We have no friends&#8212;that is a great thing&#8212;and no enemies.”  Thus Charles Baudelaire began his career as an art critic with the Salon of 1845.  With a tone we suspect to be sardonic, the young writer addressed himself to the bourgeoisie, “a very respectable personage; [...]]]></description>
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		<title>Podcast 12 French Romanticism: Ingres, Part One</title>
		<link>http://www.arthistoryunstuffed.com/podcast-12-french-romanticism-ingres-part-one/</link>
		<comments>http://www.arthistoryunstuffed.com/podcast-12-french-romanticism-ingres-part-one/#comments</comments>
		<pubDate>Fri, 22 Jan 2010 16:00:42 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art Podcasts]]></category>
		<category><![CDATA[academic art]]></category>
		<category><![CDATA[Jean-August Dominique Ingres]]></category>
		<category><![CDATA[Napoléon]]></category>
		<category><![CDATA[Napoleonic Art]]></category>
		<category><![CDATA[Neo-Classicism]]></category>
		<category><![CDATA[Orientalism in Art]]></category>
		<category><![CDATA[Romanticism]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=529</guid>
		<description><![CDATA[THE MODERNISM OF INGRES Often assumed to be the bastion of conservatism in French art, Ingres was actually an astute observer of his own time and was, therefore, thoroughly modern. Like Gros and Girodet, Ingres had to find his own way past both David and Neo-Classicism and into the new movement, Romanticism. This part of [...]]]></description>
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		<title>French Romanticism: Subject Matter and the Artist</title>
		<link>http://www.arthistoryunstuffed.com/french-romanticism-subject-matter-artist/</link>
		<comments>http://www.arthistoryunstuffed.com/french-romanticism-subject-matter-artist/#comments</comments>
		<pubDate>Fri, 08 Jan 2010 16:00:17 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[art-for-art's sake]]></category>
		<category><![CDATA[avant-garde]]></category>
		<category><![CDATA[Barbizon Artists]]></category>
		<category><![CDATA[Eugene Delacroix]]></category>
		<category><![CDATA[Girodet]]></category>
		<category><![CDATA[Jean-Antoine Gros]]></category>
		<category><![CDATA[Jean-August Dominique Ingres]]></category>
		<category><![CDATA[landscape painting]]></category>
		<category><![CDATA[middle class art audience]]></category>
		<category><![CDATA[Orientalism]]></category>
		<category><![CDATA[Romantic genius]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[Salon]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=147</guid>
		<description><![CDATA[French Romanticism:  Subject Matter and the Artist The Romantic was Janus-faced, facing the present and commenting upon it while turning away for current events in order to yield to the lure of fantasy, legend, myth, and exoticism.  On one hand, Jean-Antoine Gros called attention to the human costs of Napoléon’s brutal wars in Napléon at [...]]]></description>
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		<title>Podcast 9 Romanticism in France</title>
		<link>http://www.arthistoryunstuffed.com/podcast-9-romanticism-in-france/</link>
		<comments>http://www.arthistoryunstuffed.com/podcast-9-romanticism-in-france/#comments</comments>
		<pubDate>Fri, 11 Dec 2009 16:00:44 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art Criticism]]></category>
		<category><![CDATA[art-for-art's sake]]></category>
		<category><![CDATA[Eugene Delacroix]]></category>
		<category><![CDATA[Jean-Antoine Gros]]></category>
		<category><![CDATA[Jean-August Dominique Ingres]]></category>
		<category><![CDATA[Theodore Gericault]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=509</guid>
		<description><![CDATA[FRENCH ROMANTICISM Romanticism in France was an artistic movement that was born of the excitement of Napoleonic art and its depictions of the glory and horrors of total war.  But after the Emperor was deposed, the new generation of artists could find &#8220;liberty&#8221; only in the refuge of art-for-art&#8217;s-sake and freedom existed only in bohemia.  [...]]]></description>
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		<title>Podcast 6 Romanticism</title>
		<link>http://www.arthistoryunstuffed.com/podcast-6-romanticism/</link>
		<comments>http://www.arthistoryunstuffed.com/podcast-6-romanticism/#comments</comments>
		<pubDate>Sun, 01 Nov 2009 01:11:08 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Albert Bierstadt]]></category>
		<category><![CDATA[art-for-art's sake]]></category>
		<category><![CDATA[Caspar David Friedrich]]></category>
		<category><![CDATA[Emmanuel Kant]]></category>
		<category><![CDATA[Eugene Delacroix]]></category>
		<category><![CDATA[Frederich Church]]></category>
		<category><![CDATA[Jean-Antoine Gros]]></category>
		<category><![CDATA[Jean-August Dominique Ingres]]></category>
		<category><![CDATA[John Constable]]></category>
		<category><![CDATA[Joseph William Mallord Turner]]></category>
		<category><![CDATA[Napoleonic Art]]></category>
		<category><![CDATA[Romanicism]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=497</guid>
		<description><![CDATA[ROMANTICISM AND NATIONALISM Although Romanticism was supposedly subjective, or based in the individual sensibility of the artist, this movement was an international movement with characteristics unique to each nations.  The Romantic Movement is discussed in comparative terms, assessing the differences among the movements in France, England, America and Germany. &#160;]]></description>
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