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	<title>Art History Unstuffed &#187; John Constable</title>
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	<itunes:summary>Art/History/Criticism/Theory</itunes:summary>
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	<itunes:author>Art History Unstuffed</itunes:author>
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		<title>Impressionism and the Landscape</title>
		<link>http://www.arthistoryunstuffed.com/impressionism-and-the-landscape/</link>
		<comments>http://www.arthistoryunstuffed.com/impressionism-and-the-landscape/#comments</comments>
		<pubDate>Fri, 05 Nov 2010 16:00:19 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Alfred Sisley]]></category>
		<category><![CDATA[Barbizon School]]></category>
		<category><![CDATA[Berthe Morisot]]></category>
		<category><![CDATA[Camille Pissarro]]></category>
		<category><![CDATA[Claude Monet]]></category>
		<category><![CDATA[Edgar Degas]]></category>
		<category><![CDATA[Edmound Duranty]]></category>
		<category><![CDATA[Edouard Manet]]></category>
		<category><![CDATA[Gustave Caillebotte]]></category>
		<category><![CDATA[John Constable]]></category>
		<category><![CDATA[Mary Cassatt]]></category>
		<category><![CDATA[Paul Cezanne]]></category>
		<category><![CDATA[Paul Gauguin]]></category>
		<category><![CDATA[Pierre Renoir]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=711</guid>
		<description><![CDATA[THE SUBJECT MATTER OF THE IMPRESSIONISTS Redefining Landscape Painting The term “landscape” comes from the Dutch term “landskip,” and today when one thinks of landscape painting, an Impressionist work immediately comes to mind: soft and lovely colors, gently brushed surfaces, sites where the always-shining sunlight is captured in shards of broken brush strokes.  Like the [...]]]></description>
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		<title>The Barbizon School</title>
		<link>http://www.arthistoryunstuffed.com/the-barbizon-school/</link>
		<comments>http://www.arthistoryunstuffed.com/the-barbizon-school/#comments</comments>
		<pubDate>Fri, 08 Oct 2010 16:00:11 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Barbizon School]]></category>
		<category><![CDATA[Blot]]></category>
		<category><![CDATA[Camille Corot]]></category>
		<category><![CDATA[Charles Daubigny]]></category>
		<category><![CDATA[Charles Marville]]></category>
		<category><![CDATA[Constant Troyon]]></category>
		<category><![CDATA[Diego Martelli]]></category>
		<category><![CDATA[Giovanni Fattori]]></category>
		<category><![CDATA[Gustave le Gray]]></category>
		<category><![CDATA[J. B. Deperthes]]></category>
		<category><![CDATA[Jean-François Millet]]></category>
		<category><![CDATA[John Constable]]></category>
		<category><![CDATA[Louis Eugène Boudin]]></category>
		<category><![CDATA[Narcisse Diaz]]></category>
		<category><![CDATA[Paul Durand-Ruel]]></category>
		<category><![CDATA[Paulus Potter]]></category>
		<category><![CDATA[Pierre Renoir]]></category>
		<category><![CDATA[Pierre-Henri Valenciennes]]></category>
		<category><![CDATA[Telemaco Signorini]]></category>
		<category><![CDATA[The Macchiaioli]]></category>
		<category><![CDATA[Theodore Rousseau]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=684</guid>
		<description><![CDATA[THE BARBIZON SCHOOL AND LANDSCAPE PAINTING On the edge of the Forest of Fountainebleau&#8212;once the hunting domain of French kings&#8212;lay the tiny village of Barbizon. As Paris grew more and more urbanized, its inhabitants yearned for a taste of the country and the Forest became a popular weekend tourist attraction. By mid-century guides to the [...]]]></description>
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		<title>Podcast 25 Realism in Europe, Part One</title>
		<link>http://www.arthistoryunstuffed.com/podcast-25-realism-in-europe/</link>
		<comments>http://www.arthistoryunstuffed.com/podcast-25-realism-in-europe/#comments</comments>
		<pubDate>Fri, 16 Jul 2010 16:00:30 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art Podcasts]]></category>
		<category><![CDATA[" "Madame Bovery]]></category>
		<category><![CDATA[" Linda Nochlin]]></category>
		<category><![CDATA[" Surveillance of the Lower Classes]]></category>
		<category><![CDATA["Death of the Subject]]></category>
		<category><![CDATA["official Realism]]></category>
		<category><![CDATA["Souvenier of the Civil War]]></category>
		<category><![CDATA[Ernst Meissonier]]></category>
		<category><![CDATA[Eugene Delacroix]]></category>
		<category><![CDATA[Jean-Antoine Gros]]></category>
		<category><![CDATA[John Constable]]></category>
		<category><![CDATA[Napoléon]]></category>
		<category><![CDATA[Pre-Raphaelite Brotherhood]]></category>
		<category><![CDATA[Realism in America]]></category>
		<category><![CDATA[Revolution of 1848]]></category>
		<category><![CDATA[Robert Rosenblum]]></category>
		<category><![CDATA[Second Republic]]></category>
		<category><![CDATA[Theo]]></category>
		<category><![CDATA[Theodore Gericault]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=851</guid>
		<description><![CDATA[EUROPEAN REALISM, PART ONE Although Realism is usually associated with the artistic movement in France, Realism was an international movement that was both visual and literary.  Realism in the nineteenth century was not just a political or social impulse, it was also a set of concepts that challenged and replaced the rubrics of Romanticism.  This [...]]]></description>
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		<title>Podcast 19  Romanticism and Constable</title>
		<link>http://www.arthistoryunstuffed.com/podcast-19-romanticism-constable/</link>
		<comments>http://www.arthistoryunstuffed.com/podcast-19-romanticism-constable/#comments</comments>
		<pubDate>Fri, 30 Apr 2010 16:00:09 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Modern Art Podcasts]]></category>
		<category><![CDATA[" "The Hay Wain]]></category>
		<category><![CDATA["Constable Country]]></category>
		<category><![CDATA[Anthony Bailey]]></category>
		<category><![CDATA[Claude Lorraine]]></category>
		<category><![CDATA[John Barrell]]></category>
		<category><![CDATA[John Constable]]></category>
		<category><![CDATA[John Ruskin]]></category>
		<category><![CDATA[Joseph Turner]]></category>
		<category><![CDATA[Reform Bill of 1831]]></category>
		<category><![CDATA[Royal Academy]]></category>
		<category><![CDATA[Stour River]]></category>
		<category><![CDATA[William Blake]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=554</guid>
		<description><![CDATA[JOHN CONSTABLE AND ENGLISH ROMANTICISM Less famous and dramatic than his British rival, Joseph Turner, John Constable preferred the humble English countryside of his native Stour Valley. In his humble rural paintings, Constable captured his &#8220;careless boyhood&#8221; on the eve of the Industrial Revolution and froze these scenes in a nostalgic time, creating a much-loved [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Podcast 18  English Romanticism and Turner</title>
		<link>http://www.arthistoryunstuffed.com/podcast-18-english-romanticism-turner/</link>
		<comments>http://www.arthistoryunstuffed.com/podcast-18-english-romanticism-turner/#comments</comments>
		<pubDate>Fri, 16 Apr 2010 16:00:41 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art Podcasts]]></category>
		<category><![CDATA[" "The Beautiful]]></category>
		<category><![CDATA[" "The Hay Wain]]></category>
		<category><![CDATA[" "The Picturesque]]></category>
		<category><![CDATA[" "The Sublime]]></category>
		<category><![CDATA[" "The White Horse]]></category>
		<category><![CDATA[" Albert Boime]]></category>
		<category><![CDATA[" The Slave Trade]]></category>
		<category><![CDATA["Childe Harold's Pilgrimage]]></category>
		<category><![CDATA["Six-Footers]]></category>
		<category><![CDATA["The Fighting Temeraire"]]></category>
		<category><![CDATA["The Slave Ship]]></category>
		<category><![CDATA[English Romanticism]]></category>
		<category><![CDATA[John Constable]]></category>
		<category><![CDATA[John Ruskin]]></category>
		<category><![CDATA[Joseph Turner]]></category>
		<category><![CDATA[Lord Gordon]]></category>
		<category><![CDATA[Napoléonic War]]></category>
		<category><![CDATA[Norman Bryson]]></category>
		<category><![CDATA[Royal Academy]]></category>
		<category><![CDATA[Simon Sharma]]></category>
		<category><![CDATA[Timothy Clarkson]]></category>
		<category><![CDATA[William Wordsworth]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=543</guid>
		<description><![CDATA[JOSEPH TURNER AND ENLISH ROMANTICISM Joseph William Mallord Turner was the most famous exponent of English Romanticism. A product of an era of war with Napoléon, the artist celebrated the rise of the British empire. Although many of his landscapes featured classical and ancient subject matter in the foreground, Turner was fascinated with the dramatic [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Podcast 6 Romanticism</title>
		<link>http://www.arthistoryunstuffed.com/podcast-6-romanticism/</link>
		<comments>http://www.arthistoryunstuffed.com/podcast-6-romanticism/#comments</comments>
		<pubDate>Sun, 01 Nov 2009 01:11:08 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Albert Bierstadt]]></category>
		<category><![CDATA[art-for-art's sake]]></category>
		<category><![CDATA[Caspar David Friedrich]]></category>
		<category><![CDATA[Emmanuel Kant]]></category>
		<category><![CDATA[Eugene Delacroix]]></category>
		<category><![CDATA[Frederich Church]]></category>
		<category><![CDATA[Jean-Antoine Gros]]></category>
		<category><![CDATA[Jean-August Dominique Ingres]]></category>
		<category><![CDATA[John Constable]]></category>
		<category><![CDATA[Joseph William Mallord Turner]]></category>
		<category><![CDATA[Napoleonic Art]]></category>
		<category><![CDATA[Romanicism]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=497</guid>
		<description><![CDATA[ROMANTICISM AND NATIONALISM Although Romanticism was supposedly subjective, or based in the individual sensibility of the artist, this movement was an international movement with characteristics unique to each nations.  The Romantic Movement is discussed in comparative terms, assessing the differences among the movements in France, England, America and Germany. &#160;]]></description>
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