Christopher Richard Wynne Nevinson (1889-1946) The Artist as a Futurist, Part One Although it may sound counter-intuitive, outside of Italy, it was on the soil of England that Futurism found most fertile. After being attacked by Umberto Boccioni in the catalogue for...
Lessons on the Analytic of the Sublime (1991) Part Two The definition of aesthetics has always been difficult to grasp and perhaps what is more interesting in attempts to define aesthetics is the fact that in the middle of the eighteenth century, philosophers deemed...
SYMBOLISM Art history usually places Symbolism, after or coinciding with Post-Impressionism. But Symbolism was much older and could be traced back as far as the painting of Gustave Moreau in the 1850s and the poetry of Charles Baudelaire of the 1860s. This movement...
Advanced Guard before the Avant-Garde There is some historical disagreement over when and where the avant-garde movement in the visual arts began. But it is clear that that the notion that changes in art come from the margins not the center came into existence and...
WHISTLER AND ART FOR ART’S SAKE Part Three Whistler was unusual among artists of his time in that he answered back to critics and took pains to establish his own discourse on his own art. His unique way of painting, without the meticulous detail of the...