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	<title>Art History Unstuffed &#187; labor</title>
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	<itunes:author>Art History Unstuffed</itunes:author>
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		<title>Marx, Engels and Alienation</title>
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		<pubDate>Fri, 21 May 2010 16:00:29 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Philosophy]]></category>
		<category><![CDATA["consciousness raising"]]></category>
		<category><![CDATA["false consciousness"]]></category>
		<category><![CDATA["natural" and Ideology]]></category>
		<category><![CDATA["Profit"]]></category>
		<category><![CDATA[alienation]]></category>
		<category><![CDATA[bouregoisie]]></category>
		<category><![CDATA[capitalism]]></category>
		<category><![CDATA[dominant class]]></category>
		<category><![CDATA[Friedrich Engels]]></category>
		<category><![CDATA[Friedrich Schiller]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Karl Marx]]></category>
		<category><![CDATA[labor]]></category>
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		<description><![CDATA[Marx, Engels and Alienation Aware of Friedrich Schiller, Karl Marx was concerned with alienation and recognized the connection between the estrangement of human beings from themselves and from nature and the Industrial Revolution.  Marx re-wrote Schiller’s psychological alienation, as the estrangement of workers in industrial capitalist society from the products of their labor.  Capitalism is [...]]]></description>
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		<title>The Industrial Revolution</title>
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		<pubDate>Fri, 06 Nov 2009 16:00:50 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Culture]]></category>
		<category><![CDATA[alienated]]></category>
		<category><![CDATA[Industrial Revolution]]></category>
		<category><![CDATA[Karl Marx]]></category>
		<category><![CDATA[labor]]></category>
		<category><![CDATA[optimism]]></category>
		<category><![CDATA[peasants]]></category>
		<category><![CDATA[progress]]></category>
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		<category><![CDATA[surplus value]]></category>
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		<description><![CDATA[The Industrial Revolution For the artist of the modern period, the most essential problem was how to depict the modern: as a new style, as new content, as a new attitude?  Each generation would fine its own answer, only to have the next generation find this answer inadequate.  In the process of attempting to find [...]]]></description>
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