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	<title>Art History Unstuffed &#187; landscape painting</title>
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		<title>French Romanticism: Subject Matter and the Artist</title>
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		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[art-for-art's sake]]></category>
		<category><![CDATA[avant-garde]]></category>
		<category><![CDATA[Barbizon Artists]]></category>
		<category><![CDATA[Eugene Delacroix]]></category>
		<category><![CDATA[Girodet]]></category>
		<category><![CDATA[Jean-Antoine Gros]]></category>
		<category><![CDATA[Jean-August Dominique Ingres]]></category>
		<category><![CDATA[landscape painting]]></category>
		<category><![CDATA[middle class art audience]]></category>
		<category><![CDATA[Orientalism]]></category>
		<category><![CDATA[Romantic genius]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[Salon]]></category>

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		<description><![CDATA[French Romanticism:  Subject Matter and the Artist The Romantic was Janus-faced, facing the present and commenting upon it while turning away for current events in order to yield to the lure of fantasy, legend, myth, and exoticism.  On one hand, Jean-Antoine Gros called attention to the human costs of Napoléon’s brutal wars in Napléon at [...]]]></description>
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