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	<title>Art History Unstuffed &#187; Louis-Phillipe</title>
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	<itunes:author>Art History Unstuffed</itunes:author>
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		<title>Gustave Courbet</title>
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		<pubDate>Fri, 03 Sep 2010 16:00:21 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
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		<category><![CDATA[Champfleury]]></category>
		<category><![CDATA[Communards]]></category>
		<category><![CDATA[demimonde]]></category>
		<category><![CDATA[Dinner at Ornans]]></category>
		<category><![CDATA[Dutch Art]]></category>
		<category><![CDATA[Eugene Fromentin]]></category>
		<category><![CDATA[Funeral at Ornans]]></category>
		<category><![CDATA[Gustave Courbet]]></category>
		<category><![CDATA[Honore Daumier]]></category>
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		<category><![CDATA[Jules Bastien-LePage]]></category>
		<category><![CDATA[Jules Breton]]></category>
		<category><![CDATA[la boheme]]></category>
		<category><![CDATA[Louis-Phillipe]]></category>
		<category><![CDATA[Naturalism]]></category>
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		<category><![CDATA[The Sleepers]]></category>
		<category><![CDATA[The Stonebreakers]]></category>
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		<category><![CDATA[Third Republic Franco-Prussian War]]></category>
		<category><![CDATA[Thomas Couture]]></category>
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		<description><![CDATA[AVANT-GARDE REALISM IN FRANCE: COURBET In 1845, The art critic, Théophile Thoré (who &#8220;discovered&#8221; the Dutch artist, Jan Vermeer) complained that French art was &#8220;…without system, without direction, and abandoned to individual fantasy.&#8221; According to another critic, Eugène Fromentin, &#8220;…We revolve in a viscous circle. Public taste is injured; that of the painters is no [...]]]></description>
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		<title>French Romanticism: The Historical Context</title>
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		<pubDate>Fri, 01 Jan 2010 16:00:58 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA["July Days"]]></category>
		<category><![CDATA[Charles X]]></category>
		<category><![CDATA[Eugene Delacroix]]></category>
		<category><![CDATA[Jean-Antoine Gros]]></category>
		<category><![CDATA[Louis XVIII]]></category>
		<category><![CDATA[Louis-Phillipe]]></category>
		<category><![CDATA[Napoléon]]></category>
		<category><![CDATA[Napoleonic Art]]></category>
		<category><![CDATA[Neoclassicism]]></category>
		<category><![CDATA[Raft of the Medusa]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[Theodore Gericault]]></category>

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		<description><![CDATA[French Romanticism: The Historical Context Neoclassicism was a historicist revival of an ancient style that acquired political and social implications during a time of turbulent change.  Calm and serene, Neoclassicism lent itself well to noble subject matter that depicted the ideals the French public should emulate.  Despite the classical harmony of Neoclassicism, the style was [...]]]></description>
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