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	<title>Art History Unstuffed &#187; middle class art audience</title>
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		<title>French Romanticism: Subject Matter and the Artist</title>
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		<pubDate>Fri, 08 Jan 2010 16:00:17 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[art-for-art's sake]]></category>
		<category><![CDATA[avant-garde]]></category>
		<category><![CDATA[Barbizon Artists]]></category>
		<category><![CDATA[Eugene Delacroix]]></category>
		<category><![CDATA[Girodet]]></category>
		<category><![CDATA[Jean-Antoine Gros]]></category>
		<category><![CDATA[Jean-August Dominique Ingres]]></category>
		<category><![CDATA[landscape painting]]></category>
		<category><![CDATA[middle class art audience]]></category>
		<category><![CDATA[Orientalism]]></category>
		<category><![CDATA[Romantic genius]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[Salon]]></category>

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		<description><![CDATA[French Romanticism:  Subject Matter and the Artist The Romantic was Janus-faced, facing the present and commenting upon it while turning away for current events in order to yield to the lure of fantasy, legend, myth, and exoticism.  On one hand, Jean-Antoine Gros called attention to the human costs of Napoléon’s brutal wars in Napléon at [...]]]></description>
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		<title>Podcast 5 Romantic Aesthetics</title>
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		<pubDate>Fri, 16 Oct 2009 16:00:30 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Aesthetics]]></category>
		<category><![CDATA[Modern Art Podcasts]]></category>
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		<category><![CDATA[art critic]]></category>
		<category><![CDATA[Emmanuel Kant]]></category>
		<category><![CDATA[Enlightenment]]></category>
		<category><![CDATA[Friedrich Schiller]]></category>
		<category><![CDATA[middle class art audience]]></category>
		<category><![CDATA[middle-class]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[Salon Exhibition]]></category>
		<category><![CDATA[Shaftsbury]]></category>
		<category><![CDATA[Winckelmann]]></category>

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		<description><![CDATA[ART-FOR-ART&#8217;S SAKE Aesthetics, as a branch of philosophy, was established in 1735 by Alexander Baumgartner in Germany.  The early development of aesthetics evolved from moral stances on art, espoused by Lord Shaftsbury and Winckelmann, became the basis for the modern definition of &#8220;art.&#8221;  This new definition of art was articulated by Kant and extended by [...]]]></description>
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