MANET AND IMPRESSIONISM Édouard Manet’s images of Paris were unprecedented in their unsparing modernity, the sights and scenes that delighted the boulevardier. The painter himself, an elegant dandy, lounged congenially at the Café Tortoni, the Café Guerbois,...
MANET AND MODERN LIFE Édouard Manet was not the artist that the Second Empire would have selected to be its chronicler, but, in the end, it was Manet’s impressions of France’s last monarchy that would make an indelible mark on the public memory. Napoléon III followed...
ÉDOUARD MANET Part Two The painter of Parisian modernité, Édouard Manet, abandoned his early strategy of commenting on past masterpieces but continued his quest to update and modernize traditional genres in Salon painting. A transitional painter, Manet pointed to way...
ÉDOUARD MANET AND “THE (FEMALE) NUDE” Unlike his predecessor, Gustave Courbet who carefully directed the critical discourse around his art, Édouard Manet was far more taciturn. When he spoke, it was in fragments, causal remarks, rarely buttressed by explanations...
ÉDOUARD MANET AND THE SALON Part One Like the career of Gustave Courbet, the career of Édouard Manet breaks into two segments. As with all aspiring artists, Manet had to make his mark, and he chose to call attention to himself through a series of paintings that...