<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
		xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"
	xmlns:media="http://search.yahoo.com/mrss/"
>

<channel>
	<title>Art History Unstuffed &#187; Pierre Bourdieu</title>
	<atom:link href="http://www.arthistoryunstuffed.com/tag/pierre-bourdieu/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.arthistoryunstuffed.com</link>
	<description>Art/History/Criticism/Theory</description>
	<lastBuildDate>Fri, 03 Feb 2012 16:00:09 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.1</generator>
	<copyright>2006-2007 </copyright>
	<managingEditor>info@arthistoryunstuffed.com (Art History Unstuffed)</managingEditor>
	<webMaster>info@arthistoryunstuffed.com (Art History Unstuffed)</webMaster>
	<image>
		<url>http://www.arthistoryunstuffed.com/wp-content/plugins/podpress/images/powered_by_podpress.jpg</url>
		<title>Art History Unstuffed</title>
		<link>http://www.arthistoryunstuffed.com</link>
		<width>144</width>
		<height>144</height>
	</image>
	<itunes:subtitle></itunes:subtitle>
	<itunes:summary>Art/History/Criticism/Theory</itunes:summary>
	<itunes:keywords></itunes:keywords>
	<itunes:category text="Society &#38; Culture" />
	<itunes:author>Art History Unstuffed</itunes:author>
	<itunes:owner>
		<itunes:name>Art History Unstuffed</itunes:name>
		<itunes:email>info@arthistoryunstuffed.com</itunes:email>
	</itunes:owner>
	<itunes:block>no</itunes:block>
	<itunes:explicit>no</itunes:explicit>
	<itunes:image href="http://www.arthistoryunstuffed.com/wp-content/plugins/podpress/images/powered_by_podpress_large.jpg" />
		<item>
		<title>Manet and the Nude</title>
		<link>http://www.arthistoryunstuffed.com/manet-and-the-nude/</link>
		<comments>http://www.arthistoryunstuffed.com/manet-and-the-nude/#comments</comments>
		<pubDate>Fri, 17 Sep 2010 16:00:07 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Charles Baudelaire]]></category>
		<category><![CDATA[Clement Greenberg]]></category>
		<category><![CDATA[Edgar Degas]]></category>
		<category><![CDATA[Edouard Manet]]></category>
		<category><![CDATA[Emile Zola]]></category>
		<category><![CDATA[Giorgione]]></category>
		<category><![CDATA[Griselda Pollock]]></category>
		<category><![CDATA[Gustave Courbet]]></category>
		<category><![CDATA[Gustave Flaubert]]></category>
		<category><![CDATA[Honore Daumier]]></category>
		<category><![CDATA[James Whistler]]></category>
		<category><![CDATA[Jules Castagnary]]></category>
		<category><![CDATA[Le Dejeunner sur l'Herbe]]></category>
		<category><![CDATA[Luncheon on the Grass]]></category>
		<category><![CDATA[modern nude]]></category>
		<category><![CDATA[modernity]]></category>
		<category><![CDATA[Music in the Tuileries]]></category>
		<category><![CDATA[Naturalism]]></category>
		<category><![CDATA[Olympia]]></category>
		<category><![CDATA[Pierre Bourdieu]]></category>
		<category><![CDATA[Raphael]]></category>
		<category><![CDATA[Salon des Refusés]]></category>
		<category><![CDATA[Second Empire]]></category>
		<category><![CDATA[T. J. Clark]]></category>
		<category><![CDATA[The Dandy]]></category>
		<category><![CDATA[The Old Musician]]></category>
		<category><![CDATA[The Painter of Modern LIfe]]></category>
		<category><![CDATA[Thomas Couture]]></category>
		<category><![CDATA[Titian]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=644</guid>
		<description><![CDATA[ÉDOUARD MANET AND “THE (FEMALE) NUDE” &#8220;The leading characteristic of our century is its historical sense. This is why we have to confine ourselves to relating the facts.&#8221; Gustave Flaubert, 1854 &#8220;The wind blows in the direction of science. Despite ourselves, we are pushed toward the exact study of facts and things.&#8221; Emile Zola, Salon [...]]]></description>
		<wfw:commentRss>http://www.arthistoryunstuffed.com/manet-and-the-nude/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Definition of the Avant-Garde</title>
		<link>http://www.arthistoryunstuffed.com/definition-avant-garde/</link>
		<comments>http://www.arthistoryunstuffed.com/definition-avant-garde/#comments</comments>
		<pubDate>Fri, 22 Jan 2010 16:00:52 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Culture]]></category>
		<category><![CDATA[avant-garde]]></category>
		<category><![CDATA[Emmanuel Kant]]></category>
		<category><![CDATA[Eugene Delacroix]]></category>
		<category><![CDATA[Jean-Antoine Gros]]></category>
		<category><![CDATA[Peter Burger]]></category>
		<category><![CDATA[Pierre Bourdieu]]></category>
		<category><![CDATA[Theodore Gericault]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=155</guid>
		<description><![CDATA[The Definition of the Avant-Garde In his book, The Theory of the Avant-Garde, Peter Burger stressed the historical basis of the avant-garde.  The rise of the avant-garde was directly linked to the rise of the middle class.  The main role of the avant-garde is the critique of the middle class by detaching it self from [...]]]></description>
		<wfw:commentRss>http://www.arthistoryunstuffed.com/definition-avant-garde/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>French Romanticism and the Avant-Garde</title>
		<link>http://www.arthistoryunstuffed.com/french-romanticism-avant-garde/</link>
		<comments>http://www.arthistoryunstuffed.com/french-romanticism-avant-garde/#comments</comments>
		<pubDate>Fri, 15 Jan 2010 16:00:11 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[" "One must be of one's own time."]]></category>
		<category><![CDATA["Shock the Middle Class]]></category>
		<category><![CDATA[avant-garde]]></category>
		<category><![CDATA[Classical Art]]></category>
		<category><![CDATA[Eugene Delacroix]]></category>
		<category><![CDATA[French Academy]]></category>
		<category><![CDATA[George Sand]]></category>
		<category><![CDATA[la boheme]]></category>
		<category><![CDATA[Pierre Bourdieu]]></category>
		<category><![CDATA[Renato Poggioli]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[Salon]]></category>
		<category><![CDATA[Second Empire]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=152</guid>
		<description><![CDATA[French Romanticism and the Avant-Garde The term &#8220;avant-garde&#8221; is a military one, borrowed from the French phrase, denoting the advance body of the army.  This small group of soldiers goes out in advance of the main group to scout the territory beyond with the aim of reporting back as to the conditions awaiting the other [...]]]></description>
		<wfw:commentRss>http://www.arthistoryunstuffed.com/french-romanticism-avant-garde/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

