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	<title>Art History Unstuffed &#187; Royal Academy</title>
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	<itunes:author>Art History Unstuffed</itunes:author>
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		<title>Podcast 32 Whistler, Part One</title>
		<link>http://www.arthistoryunstuffed.com/podcast-32-whistler-part-one/</link>
		<comments>http://www.arthistoryunstuffed.com/podcast-32-whistler-part-one/#comments</comments>
		<pubDate>Fri, 08 Oct 2010 16:00:14 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art Podcasts]]></category>
		<category><![CDATA[" "The White Girl]]></category>
		<category><![CDATA[" David Park Curry]]></category>
		<category><![CDATA["Correspondances]]></category>
		<category><![CDATA["Whistler's Mother]]></category>
		<category><![CDATA[Charles Baudelaire]]></category>
		<category><![CDATA[Edouard Manet]]></category>
		<category><![CDATA[Gustave Courbet]]></category>
		<category><![CDATA[Impressionism]]></category>
		<category><![CDATA[James Abbot McNeill Whistler]]></category>
		<category><![CDATA[John Ruskin]]></category>
		<category><![CDATA[Joseph Paxton]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[Pre-Raphaelites]]></category>
		<category><![CDATA[Realism]]></category>
		<category><![CDATA[Royal Academy]]></category>
		<category><![CDATA[William Morris]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=883</guid>
		<description><![CDATA[Whistler the Realist One of the most overlooked avant-garde pioneers was the American in Paris (and London), the expatriate, James Whistler. Although overshadowed in art history by his good friend, Édouard Manet, Whistler was the other scandal in the Salon des Refusés and instituted installation techniques later adopted by the Impressionists.  Always controversial, Whistler&#8217;s art, [...]]]></description>
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		<title>Podcast 19  Romanticism and Constable</title>
		<link>http://www.arthistoryunstuffed.com/podcast-19-romanticism-constable/</link>
		<comments>http://www.arthistoryunstuffed.com/podcast-19-romanticism-constable/#comments</comments>
		<pubDate>Fri, 30 Apr 2010 16:00:09 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Modern Art Podcasts]]></category>
		<category><![CDATA[" "The Hay Wain]]></category>
		<category><![CDATA["Constable Country]]></category>
		<category><![CDATA[Anthony Bailey]]></category>
		<category><![CDATA[Claude Lorraine]]></category>
		<category><![CDATA[John Barrell]]></category>
		<category><![CDATA[John Constable]]></category>
		<category><![CDATA[John Ruskin]]></category>
		<category><![CDATA[Joseph Turner]]></category>
		<category><![CDATA[Reform Bill of 1831]]></category>
		<category><![CDATA[Royal Academy]]></category>
		<category><![CDATA[Stour River]]></category>
		<category><![CDATA[William Blake]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=554</guid>
		<description><![CDATA[JOHN CONSTABLE AND ENGLISH ROMANTICISM Less famous and dramatic than his British rival, Joseph Turner, John Constable preferred the humble English countryside of his native Stour Valley. In his humble rural paintings, Constable captured his &#8220;careless boyhood&#8221; on the eve of the Industrial Revolution and froze these scenes in a nostalgic time, creating a much-loved [...]]]></description>
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		<title>Podcast 18  English Romanticism and Turner</title>
		<link>http://www.arthistoryunstuffed.com/podcast-18-english-romanticism-turner/</link>
		<comments>http://www.arthistoryunstuffed.com/podcast-18-english-romanticism-turner/#comments</comments>
		<pubDate>Fri, 16 Apr 2010 16:00:41 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art Podcasts]]></category>
		<category><![CDATA[" "The Beautiful]]></category>
		<category><![CDATA[" "The Hay Wain]]></category>
		<category><![CDATA[" "The Picturesque]]></category>
		<category><![CDATA[" "The Sublime]]></category>
		<category><![CDATA[" "The White Horse]]></category>
		<category><![CDATA[" Albert Boime]]></category>
		<category><![CDATA[" The Slave Trade]]></category>
		<category><![CDATA["Childe Harold's Pilgrimage]]></category>
		<category><![CDATA["Six-Footers]]></category>
		<category><![CDATA["The Fighting Temeraire"]]></category>
		<category><![CDATA["The Slave Ship]]></category>
		<category><![CDATA[English Romanticism]]></category>
		<category><![CDATA[John Constable]]></category>
		<category><![CDATA[John Ruskin]]></category>
		<category><![CDATA[Joseph Turner]]></category>
		<category><![CDATA[Lord Gordon]]></category>
		<category><![CDATA[Napoléonic War]]></category>
		<category><![CDATA[Norman Bryson]]></category>
		<category><![CDATA[Royal Academy]]></category>
		<category><![CDATA[Simon Sharma]]></category>
		<category><![CDATA[Timothy Clarkson]]></category>
		<category><![CDATA[William Wordsworth]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=543</guid>
		<description><![CDATA[JOSEPH TURNER AND ENLISH ROMANTICISM Joseph William Mallord Turner was the most famous exponent of English Romanticism. A product of an era of war with Napoléon, the artist celebrated the rise of the British empire. Although many of his landscapes featured classical and ancient subject matter in the foreground, Turner was fascinated with the dramatic [...]]]></description>
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		<title>Podcast 7 The Academy and the Avant-Garde</title>
		<link>http://www.arthistoryunstuffed.com/podcast-7-the-academy-and-the-avant-garde/</link>
		<comments>http://www.arthistoryunstuffed.com/podcast-7-the-academy-and-the-avant-garde/#comments</comments>
		<pubDate>Fri, 13 Nov 2009 16:00:33 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[academic art]]></category>
		<category><![CDATA[Antonio Canova]]></category>
		<category><![CDATA[art-for-art's sake]]></category>
		<category><![CDATA[avant-garde]]></category>
		<category><![CDATA[Beaux-Arts]]></category>
		<category><![CDATA[Ecole des Beaux-Arts]]></category>
		<category><![CDATA[Francois Rude]]></category>
		<category><![CDATA[French Academy]]></category>
		<category><![CDATA[Horatio Greenough]]></category>
		<category><![CDATA[Peter Burger]]></category>
		<category><![CDATA[Pre-Raphaelite Brotherhood]]></category>
		<category><![CDATA[Renato Poggioli]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[Royal Academy]]></category>
		<category><![CDATA[Salon Exhibition]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=503</guid>
		<description><![CDATA[THE ACADEMY AND THE AVANT-GARDE IN FRANCE The artists of the French Academy and the artists of the French Avant-garde are often presented as being protagonists, but, in fact, each group defined itself in terms of the other.  The French Academy was the bastion of the establishment, of rules and regulations and of order.  The [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The Origins of Neoclassicism</title>
		<link>http://www.arthistoryunstuffed.com/neoclassicism/</link>
		<comments>http://www.arthistoryunstuffed.com/neoclassicism/#comments</comments>
		<pubDate>Fri, 13 Nov 2009 16:00:12 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Elgin marbles]]></category>
		<category><![CDATA[Joshua Reynolds]]></category>
		<category><![CDATA[Lord Elgin]]></category>
		<category><![CDATA[Neoclassicism]]></category>
		<category><![CDATA[Royal Academy]]></category>
		<category><![CDATA[Shaftesbury]]></category>
		<category><![CDATA[Winckelmann]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=111</guid>
		<description><![CDATA[The Origins of Neoclassicism The example of ancient virtue, especially Roman virtue of the early days of the Republic, provided an alternative for the French politicians to the current decline in the social standards of the nobility. Italy was already part of what was called The Grand Tour, taken by well-heeled Europeans, especially the British, [...]]]></description>
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		<item>
		<title>The Enlightenment and the Art Public</title>
		<link>http://www.arthistoryunstuffed.com/enlightenment-art-public/</link>
		<comments>http://www.arthistoryunstuffed.com/enlightenment-art-public/#comments</comments>
		<pubDate>Fri, 02 Oct 2009 16:00:00 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Culture]]></category>
		<category><![CDATA["natural"]]></category>
		<category><![CDATA[art public]]></category>
		<category><![CDATA[Duc d’Orleans]]></category>
		<category><![CDATA[genre paintings]]></category>
		<category><![CDATA[Jean-Baptiste Chardin]]></category>
		<category><![CDATA[Jean-Baptiste Greuze]]></category>
		<category><![CDATA[Madame de Pompadour]]></category>
		<category><![CDATA[Palace of the Louvre]]></category>
		<category><![CDATA[Palais Royale]]></category>
		<category><![CDATA[Pierre Crozet]]></category>
		<category><![CDATA[Queen Christina of Sweden]]></category>
		<category><![CDATA[Royal Academy]]></category>
		<category><![CDATA[Salon]]></category>
		<category><![CDATA[Salon carré of the Louvre]]></category>
		<category><![CDATA[Thomas Crow in Painters and Public Life in Eighteenth Century Paris]]></category>

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		<description><![CDATA[The Enlightenment and the Art Public Spanning the Seventeenth and Eighteenth Centuries, the Enlightenment produced greater philosophical thinking than it did fine arts.  That said, the Enlightenment was crucial for a new way of thinking about art and art making.  In the beginning, the production of visual art was under the protection and sponsorship of [...]]]></description>
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