ÉDOUARD MANET AND “THE (FEMALE) NUDE” Unlike his predecessor, Gustave Courbet who carefully directed the critical discourse around his art, Édouard Manet was far more taciturn. When he spoke, it was in fragments, causal remarks, rarely buttressed by explanations...
THE RISE AND FALL OF GUSTAVE COURBET Part Two The early career of Gustave Courbet is discussed within the historical context of class struggles during the middle of the nineteenth century. The Realism in Courbet’s paintings of the 1850s manifested itself not...