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	<title>Art History Unstuffed &#187; Salon Exhibition</title>
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		<title>Podcast 7 The Academy and the Avant-Garde</title>
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		<pubDate>Fri, 13 Nov 2009 16:00:33 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
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		<category><![CDATA[Antonio Canova]]></category>
		<category><![CDATA[art-for-art's sake]]></category>
		<category><![CDATA[avant-garde]]></category>
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		<category><![CDATA[Francois Rude]]></category>
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		<category><![CDATA[Peter Burger]]></category>
		<category><![CDATA[Pre-Raphaelite Brotherhood]]></category>
		<category><![CDATA[Renato Poggioli]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[Royal Academy]]></category>
		<category><![CDATA[Salon Exhibition]]></category>

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		<description><![CDATA[THE ACADEMY AND THE AVANT-GARDE IN FRANCE The artists of the French Academy and the artists of the French Avant-garde are often presented as being protagonists, but, in fact, each group defined itself in terms of the other.  The French Academy was the bastion of the establishment, of rules and regulations and of order.  The [...]]]></description>
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		<title>Podcast 5 Romantic Aesthetics</title>
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		<pubDate>Fri, 16 Oct 2009 16:00:30 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Aesthetics]]></category>
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		<category><![CDATA[aesthetics]]></category>
		<category><![CDATA[art critic]]></category>
		<category><![CDATA[Emmanuel Kant]]></category>
		<category><![CDATA[Enlightenment]]></category>
		<category><![CDATA[Friedrich Schiller]]></category>
		<category><![CDATA[middle class art audience]]></category>
		<category><![CDATA[middle-class]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[Salon Exhibition]]></category>
		<category><![CDATA[Shaftsbury]]></category>
		<category><![CDATA[Winckelmann]]></category>

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		<description><![CDATA[ART-FOR-ART&#8217;S SAKE Aesthetics, as a branch of philosophy, was established in 1735 by Alexander Baumgartner in Germany.  The early development of aesthetics evolved from moral stances on art, espoused by Lord Shaftsbury and Winckelmann, became the basis for the modern definition of &#8220;art.&#8221;  This new definition of art was articulated by Kant and extended by [...]]]></description>
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