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	<title>Art History Unstuffed &#187; Salon</title>
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	<itunes:author>Art History Unstuffed</itunes:author>
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		<title>Salon Realism in France</title>
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		<pubDate>Fri, 09 Jul 2010 16:10:54 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[academic art]]></category>
		<category><![CDATA[Ernst Meissonier]]></category>
		<category><![CDATA[Jean-François Millet]]></category>
		<category><![CDATA[Jean-Leon Gerome]]></category>
		<category><![CDATA[Jules Breton]]></category>
		<category><![CDATA[Juste milieu]]></category>
		<category><![CDATA[Paul Delaroche]]></category>
		<category><![CDATA[Realism]]></category>
		<category><![CDATA[Revolution of 1848]]></category>
		<category><![CDATA[Salon]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=360</guid>
		<description><![CDATA[Salon Realism of the 1850s Realism had many faces.  As an international impulse seen in European and American art, Realism was not so much a style or a look as a new approach to art, overtaking the old ideas of exhausted Romanticism. By the 1840s, due to the impact of science and technology, a more [...]]]></description>
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		<title>French Romanticism and the Avant-Garde</title>
		<link>http://www.arthistoryunstuffed.com/french-romanticism-avant-garde/</link>
		<comments>http://www.arthistoryunstuffed.com/french-romanticism-avant-garde/#comments</comments>
		<pubDate>Fri, 15 Jan 2010 16:00:11 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[" "One must be of one's own time."]]></category>
		<category><![CDATA["Shock the Middle Class]]></category>
		<category><![CDATA[avant-garde]]></category>
		<category><![CDATA[Classical Art]]></category>
		<category><![CDATA[Eugene Delacroix]]></category>
		<category><![CDATA[French Academy]]></category>
		<category><![CDATA[George Sand]]></category>
		<category><![CDATA[la boheme]]></category>
		<category><![CDATA[Pierre Bourdieu]]></category>
		<category><![CDATA[Renato Poggioli]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[Salon]]></category>
		<category><![CDATA[Second Empire]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=152</guid>
		<description><![CDATA[French Romanticism and the Avant-Garde The term &#8220;avant-garde&#8221; is a military one, borrowed from the French phrase, denoting the advance body of the army.  This small group of soldiers goes out in advance of the main group to scout the territory beyond with the aim of reporting back as to the conditions awaiting the other [...]]]></description>
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		<title>French Romanticism: Subject Matter and the Artist</title>
		<link>http://www.arthistoryunstuffed.com/french-romanticism-subject-matter-artist/</link>
		<comments>http://www.arthistoryunstuffed.com/french-romanticism-subject-matter-artist/#comments</comments>
		<pubDate>Fri, 08 Jan 2010 16:00:17 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[art-for-art's sake]]></category>
		<category><![CDATA[avant-garde]]></category>
		<category><![CDATA[Barbizon Artists]]></category>
		<category><![CDATA[Eugene Delacroix]]></category>
		<category><![CDATA[Girodet]]></category>
		<category><![CDATA[Jean-Antoine Gros]]></category>
		<category><![CDATA[Jean-August Dominique Ingres]]></category>
		<category><![CDATA[landscape painting]]></category>
		<category><![CDATA[middle class art audience]]></category>
		<category><![CDATA[Orientalism]]></category>
		<category><![CDATA[Romantic genius]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[Salon]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=147</guid>
		<description><![CDATA[French Romanticism:  Subject Matter and the Artist The Romantic was Janus-faced, facing the present and commenting upon it while turning away for current events in order to yield to the lure of fantasy, legend, myth, and exoticism.  On one hand, Jean-Antoine Gros called attention to the human costs of Napoléon’s brutal wars in Napléon at [...]]]></description>
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		<title>The Artistic Revolution in France</title>
		<link>http://www.arthistoryunstuffed.com/artistic-revolution-france/</link>
		<comments>http://www.arthistoryunstuffed.com/artistic-revolution-france/#comments</comments>
		<pubDate>Fri, 11 Dec 2009 16:00:40 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Ecole des Beaux-Arts]]></category>
		<category><![CDATA[French Academy]]></category>
		<category><![CDATA[Gericault]]></category>
		<category><![CDATA[Girodet]]></category>
		<category><![CDATA[history painting]]></category>
		<category><![CDATA[Jacques Louis David]]></category>
		<category><![CDATA[Jean-Antoine Gros]]></category>
		<category><![CDATA[Neoclassicism]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[Salon]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=124</guid>
		<description><![CDATA[The Artistic Revolution in France Two social events would impact artists and art, especially in France.  The first event was the French Revolution, which forced artists to choose between King and Country and eliminated the traditional patrons, the Church and the aristocrats.  The second event was a long, ongoing process: the rise of the middle [...]]]></description>
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		<title>The French Academy</title>
		<link>http://www.arthistoryunstuffed.com/french-academy/</link>
		<comments>http://www.arthistoryunstuffed.com/french-academy/#comments</comments>
		<pubDate>Fri, 04 Dec 2009 16:00:17 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[academic art]]></category>
		<category><![CDATA[Ecole des Beaux-Arts]]></category>
		<category><![CDATA[French Academy]]></category>
		<category><![CDATA[Friedrich Schiller]]></category>
		<category><![CDATA[Johann Winckelmann]]></category>
		<category><![CDATA[Salon]]></category>

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		<description><![CDATA[The French Academy The French Academy was established in 1648 for the purpose of controlling art in France and included a network of provincial schools in Rouen, Marseilles, Dijon, and Tours.  Art was intended to extend the nation&#8217;s prestige beyond politics and military glory and was intended to establish a hegemony in the arts and [...]]]></description>
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		<title>The Enlightenment and the Art Public</title>
		<link>http://www.arthistoryunstuffed.com/enlightenment-art-public/</link>
		<comments>http://www.arthistoryunstuffed.com/enlightenment-art-public/#comments</comments>
		<pubDate>Fri, 02 Oct 2009 16:00:00 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Culture]]></category>
		<category><![CDATA["natural"]]></category>
		<category><![CDATA[art public]]></category>
		<category><![CDATA[Duc d’Orleans]]></category>
		<category><![CDATA[genre paintings]]></category>
		<category><![CDATA[Jean-Baptiste Chardin]]></category>
		<category><![CDATA[Jean-Baptiste Greuze]]></category>
		<category><![CDATA[Madame de Pompadour]]></category>
		<category><![CDATA[Palace of the Louvre]]></category>
		<category><![CDATA[Palais Royale]]></category>
		<category><![CDATA[Pierre Crozet]]></category>
		<category><![CDATA[Queen Christina of Sweden]]></category>
		<category><![CDATA[Royal Academy]]></category>
		<category><![CDATA[Salon]]></category>
		<category><![CDATA[Salon carré of the Louvre]]></category>
		<category><![CDATA[Thomas Crow in Painters and Public Life in Eighteenth Century Paris]]></category>

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		<description><![CDATA[The Enlightenment and the Art Public Spanning the Seventeenth and Eighteenth Centuries, the Enlightenment produced greater philosophical thinking than it did fine arts.  That said, the Enlightenment was crucial for a new way of thinking about art and art making.  In the beginning, the production of visual art was under the protection and sponsorship of [...]]]></description>
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