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	<title>Art History Unstuffed &#187; synthesis</title>
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		<title>Der Blaue Reiter Painting</title>
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		<pubDate>Fri, 25 Mar 2011 16:00:47 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Art]]></category>
		<category><![CDATA[Alexej von Jawlensky]]></category>
		<category><![CDATA[Annie Beasan]]></category>
		<category><![CDATA[Concerning the Spiritual in Art]]></category>
		<category><![CDATA[Correspondences]]></category>
		<category><![CDATA[Der Blaue Reiter]]></category>
		<category><![CDATA[Franz Marc]]></category>
		<category><![CDATA[Gabriele Münter]]></category>
		<category><![CDATA[Jo van Gogh-Bonger]]></category>
		<category><![CDATA[Madame Helena Blavatsky]]></category>
		<category><![CDATA[Marianne von Werefkin]]></category>
		<category><![CDATA[Rudolf Steiner]]></category>
		<category><![CDATA[Sixten Ringbom]]></category>
		<category><![CDATA[synthesis]]></category>
		<category><![CDATA[Vassily Kandinsky]]></category>
		<category><![CDATA[Vincent van Gogh]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=818</guid>
		<description><![CDATA[THE SPIRITUALISM OF DER BLAUE REITER PAINTING General Characteristics From 1911 it could be said that European avant-garde art was divided between two needs: the need for individual subjective expressiveness and a striving for order in a time of pending chaos.  Both needs were rooted in a desire to escape through an inward journey into [...]]]></description>
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		<title>Philosophy of Karl Marx and Friedrich Engels</title>
		<link>http://www.arthistoryunstuffed.com/philosophy-karl-marx-friedrich-engels/</link>
		<comments>http://www.arthistoryunstuffed.com/philosophy-karl-marx-friedrich-engels/#comments</comments>
		<pubDate>Fri, 14 May 2010 16:00:10 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Philosophy]]></category>
		<category><![CDATA["Dialectical Materialism"]]></category>
		<category><![CDATA[alienation]]></category>
		<category><![CDATA[antithesis]]></category>
		<category><![CDATA[appropriation]]></category>
		<category><![CDATA[base and superstructure]]></category>
		<category><![CDATA[capitalism]]></category>
		<category><![CDATA[class system]]></category>
		<category><![CDATA[commodities]]></category>
		<category><![CDATA[consumer]]></category>
		<category><![CDATA[exploitation]]></category>
		<category><![CDATA[Friedrich Engels]]></category>
		<category><![CDATA[Ideology]]></category>
		<category><![CDATA[Karl Marx]]></category>
		<category><![CDATA[Materialism]]></category>
		<category><![CDATA[middle-class]]></category>
		<category><![CDATA[mode of production]]></category>
		<category><![CDATA[peasant]]></category>
		<category><![CDATA[phenomenology]]></category>
		<category><![CDATA[proletariat]]></category>
		<category><![CDATA[social consciousness]]></category>
		<category><![CDATA[surplus value]]></category>
		<category><![CDATA[synthesis]]></category>
		<category><![CDATA[Thesis]]></category>

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		<description><![CDATA[Philosophy of Karl Marx and Friedrich Engels Today it is fashionable in some quarters to dismiss Karl Marx because of his apparently “failed” theory of an inevitable revolution in which the lower classes, realizing their exploitation, would rebel against those who owned the means of production.  Witnessing the Fall of the Berlin Wall in 1989, [...]]]></description>
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		<title>Hegel and His Impact on Art and Aesthetics</title>
		<link>http://www.arthistoryunstuffed.com/hegel-impact-on-art-aesthetics/</link>
		<comments>http://www.arthistoryunstuffed.com/hegel-impact-on-art-aesthetics/#comments</comments>
		<pubDate>Fri, 23 Apr 2010 16:00:36 +0000</pubDate>
		<dc:creator>Jeanne Willette</dc:creator>
				<category><![CDATA[Modern Philosophy]]></category>
		<category><![CDATA[antithesis]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Beauty]]></category>
		<category><![CDATA[Clement Greenberg]]></category>
		<category><![CDATA[Emmanuel Kant]]></category>
		<category><![CDATA[Freedom]]></category>
		<category><![CDATA[G. W. F. Hegel]]></category>
		<category><![CDATA[Heinrich Wolfflin]]></category>
		<category><![CDATA[Johann Gottleib Fichte]]></category>
		<category><![CDATA[Nature]]></category>
		<category><![CDATA[One and the Other]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[synthesis]]></category>
		<category><![CDATA[Thesis]]></category>
		<category><![CDATA[Triad]]></category>
		<category><![CDATA[Truth]]></category>

		<guid isPermaLink="false">http://www.arthistoryunstuffed.com/?p=247</guid>
		<description><![CDATA[Hegel and his Impact on Art and Aesthetics Like any aesthetician, G. W. F. Hegel does not get involved in any particular movement or style or work of art, but, that said, he was very definite about the kind of art where Beauty could be found.  Like Emmanuel Kant, Hegel brings art and freedom together [...]]]></description>
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